The Routledge Handbook of CoFuturisms: Routledge Literature Handbooks
Editat de Taryne Jade Taylor, Isiah Lavender III, Grace L. Dillon, Bodhisattva Chattopadhyayen Limba Engleză Hardback – 30 oct 2023
This comprehensive overview of the field explores representations of possible futures arising from non-Western cultures and ethnic histories that disrupt the “imperial gaze”. In four parts, The Routledge Handbook of CoFuturisms considers the look of futures from the margins, foregrounding the issues of Indigenous groups, racial, ethnic, religious, and sexual minorities, and any people whose stakes in the global order of envisioning futures are generally constrained due to the mechanics of our contemporary world.
The book extends current discussions in the area, looking at cutting-edge developments in the discipline of science fiction and diverse futurisms as a whole. Offering a dynamic mix of approaches and expansive perspectives, this volume will appeal to academics and researchers seeking to orient their own interventions into broader contexts.
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Specificații
ISBN-13: 9780367330613
ISBN-10: 036733061X
Pagini: 716
Ilustrații: 44 Halftones, black and white; 44 Illustrations, black and white
Dimensiuni: 178 x 254 x 38 mm
Greutate: 2.04 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Literature Handbooks
Locul publicării:Oxford, United Kingdom
ISBN-10: 036733061X
Pagini: 716
Ilustrații: 44 Halftones, black and white; 44 Illustrations, black and white
Dimensiuni: 178 x 254 x 38 mm
Greutate: 2.04 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Literature Handbooks
Locul publicării:Oxford, United Kingdom
Public țintă
Undergraduate Advanced and Undergraduate CoreNotă biografică
Taryne Jade Taylor is Advanced Assistant Professor of Science Fiction at Florida Atlantic University. Her research focuses on the politics of representation in speculative fiction, particularly feminist science fiction and diasporic Latinx Futurisms. She firmly believes science fiction and fantasy build paths to a better, inclusive future, which is why her research focuses on diversity, inclusion, and justice as presented in the secondary worlds of the fantastic.
Isiah Lavender III is Sterling-Goodman Professor of English at the University of Georgia, where he researches and teaches courses in African American literature and science fiction. He is the author/editor of six books, including Afrofuturism Rising: The Literary Prehistory of a Movement (2019) and the interview collection Conversations with Nalo Hopkinson (2023). He is currently completing the first draft of Future Pasts: Race and Speculative Fictions. Finally, he edits for Extrapolation.
Grace L. Dillon (Anishinaabe) is Professor in the Indigenous Nations Studies Program at Portland State University in Portland, Oregon, where she teaches undergraduate and graduate course on a range of interests including Native American and Indigenous studies, science fiction, Indigenous cinema, popular culture, race and social justice, and early modern literature. She is the editor of Walking the Clouds: An Anthology of Indigenous Science Fiction (2012) and Hive of Dreams: Contemporary Science Fiction from the Pacific Northwest (2003).
Bodhisattva Chattopadhyay is Associate Professor in Global Culture Studies at the Department of Culture Studies and Oriental Languages at the University of Oslo. He is Principal Investigator of the European Research Council project “CoFutures: Pathways to Possible Presents” as well as Principal Investigator of the Norwegian Research Council project “Science Fictionality” in addition to running the Holodeck, a state-of-the-art Games Research Lab at the University of Oslo.
Isiah Lavender III is Sterling-Goodman Professor of English at the University of Georgia, where he researches and teaches courses in African American literature and science fiction. He is the author/editor of six books, including Afrofuturism Rising: The Literary Prehistory of a Movement (2019) and the interview collection Conversations with Nalo Hopkinson (2023). He is currently completing the first draft of Future Pasts: Race and Speculative Fictions. Finally, he edits for Extrapolation.
Grace L. Dillon (Anishinaabe) is Professor in the Indigenous Nations Studies Program at Portland State University in Portland, Oregon, where she teaches undergraduate and graduate course on a range of interests including Native American and Indigenous studies, science fiction, Indigenous cinema, popular culture, race and social justice, and early modern literature. She is the editor of Walking the Clouds: An Anthology of Indigenous Science Fiction (2012) and Hive of Dreams: Contemporary Science Fiction from the Pacific Northwest (2003).
Bodhisattva Chattopadhyay is Associate Professor in Global Culture Studies at the Department of Culture Studies and Oriental Languages at the University of Oslo. He is Principal Investigator of the European Research Council project “CoFutures: Pathways to Possible Presents” as well as Principal Investigator of the Norwegian Research Council project “Science Fictionality” in addition to running the Holodeck, a state-of-the-art Games Research Lab at the University of Oslo.
Cuprins
Introduction to CoFuturisms
Taryne Jade Taylor
Part I
Indigenous Futurisms
Emily C. Van Alst
Part II
Latinx Futurisms
Part III
Asian, Middle East, and Other Futurisms
Let a hundred sinofuturisms bloom
Virginia L. Conn and Gabriele de Seta
Part IV
African and African American Futurisms
Taryne Jade Taylor
Part I
Indigenous Futurisms
- The Future Imaginary
- ‘Lands of Chemical Death’: Toxic Survivance in Bunky Echo-Hawk’s ‘Gas Masks as Medicine’ and Misha’s Red Spider White Web
- Water, Fire, Earth: Darcie Little Badger’s "Ku Ko Né Ä" Series
- Contact, Rationalism, and Indigenous Queer Natures in Ellen Van Neerven’s "Water"
- Wayfinding Pasifikafuturism: An Indigenous Science Fiction Vision of the Ocean in Space
- Creating Collaborative Digital Poetic Worlds in the Video Poetry of Heid Erdrich and Kathy Jetñil-Kiijiner
- Indigenous Young Adult Dystopias
- Centering Two-Spirit and Indigiqueer Futurisms
- Blackfella Futurism: Speculative Fiction Grounded in Grassroots Sovereignty Politics
- Anthologizing the Indigenous Environmental Imaginary: Moonshot Volume 3 and Ecocritical Futurisms
- Speculative Landscapes of Contemporary North American Indigenous Fiction
- Russell Bates (Kiowa): Eco-SF and Indigenous Futurisms
- Welcome to the World of Tomorrow: Terrestrial Sovereignty and Decolonial Apocalypse in Indigenous Futurist Writing
- Coding Potawatomi Cosmologies: Elements of Bodwéwadmi Futurisms
- (Re)writing and (Re)beading: Understanding Indigenous Women’s Roles in the
Emily C. Van Alst
- Okinawa Q (an Uckinanchu Futurism): Okinawans Rectify the Unbalanced View of Nature Through Tokusatsu Television and Film
Part II
Latinx Futurisms
- The Economic Migrant and the Specter of Permanence in Why Cybraceros?, The Rag Doll Plagues, and Walk on Water
- The Creative Technologists of ADÁL’s Out of Focus Nuyoricans and Ralph Ellison’s Invisible Man
- Indigenous and Western Sciences in Carlos Hernandez’s The Assimilated Cuban’s Guide to Quantum Santeria
- Conjurando poderes de existencia: Depictions of Sabidurías in the Latin American Speculative Fiction Series, Siempre Bruja
- Utopic Rage: Transforming the Future Through Narratives of Black Feminine Monstrosity and Rage
- Grounding the Future – Locating Senior’s "Grung" Poetics in Tobias Buckell’s Speculative Fiction
- Recursive Origins and Distributed Cognitive Assemblages in Anthony Joseph’s The African Origins of UFOs
- Alejandro Morales’ The Rag Doll Plagues: Chican@/Latinx Futurism – Between Intra-History and Utopia
- Prosthetic Visions, Bodily Horrors, and Decolonial Options in Madre
- Amazofuturism, Indigenous Futurism, Afrofuturism and Sertãopunk in Brazilian Science Fiction: an Overview
- Chicanx Futurist Performances: Guillermo Gómez-Peña and the La Pocha Nostra Territorial Cartographies
- Crossing Merfolk: mermaids and the Middle Passage in African Diasporic Culture
- Brazilian Afrofuturism as a Social Technology
- Notes Towards Chicanafuturity / Dispatches from Northern Aztlán
- Toward a Mexican American Futurism
- Some Kind of Tomorrow
Part III
Asian, Middle East, and Other Futurisms
Let a hundred sinofuturisms bloom
Virginia L. Conn and Gabriele de Seta
- A Daoist Reading of Hao Jingfang’s Vagabonds
- "In the future, no one is completely human": Posthuman Poetics in Sun Yung Shin’s Unbearable Splendor and Franny Choi’s Soft Science
- The New Gods: Merging the Ancient and the Contemporary of Egypt
- For Different Tomorrows: Speculative Analogy, Korean Futurisms, and Yoon Ha Lee’s "Ghostweight"
- Speculating Superintelligent Machines in the Indian Cyberculture
- Invasian, Takeover, and Disappearance: Post-Cold War Fear in Hong Kong SAR Sci-Fi Film
- Confucius No Say: Sino-Fi Fiction, Film, and Period Drama
- From Sexual Desire to Personal Freedom: The Portrayal of Women and Their Rights in Chen Quifan’s "G Stands for Goddess"
- Rendezvous with Rama (Rajya): The Golden Past and the Antekaal Thesis in India’s Anglophone Science Fiction
- Restart the Play: On Cyclicality and the Indian Woman in the Theatrical Future of C Sharp, C Blunt
- Speculative Hong Kong: Silky Potentials of a Living Science Fiction
- Sophia Al-Maria, Gulf Futurism, and Architectural Temporalities
Part IV
African and African American Futurisms
- Waste Time: Bodily Fluids and Afrofuturity
- Genres of Resistance toward Revolution beyond the Human in Boots Riley’s Sorry to Bother You
- Transformative Cyborgs: Unsettling Humanity in Nnedi Okorafor’s Binti, The Book of Phoenix, and Lagoon
- The African Roots of Nnedi Okorafor’s Aliens and Cyborgs
- Futurism(s) and Futuristic Themes in Modern African Poetry
- "They Say I’m Hopeless": Jane McKeene Talks Back as Black Girls Do—Interlocking Oppressions and Justina Ireland’sDread Nation
- "the strength of no separation": A Poethics of Inseparability After the End of the World
- Africanfuturism as Decolonial Dreamwork and Developmental Rebellion"
- "But I’m right here": The Curious Case of Killmonger and the Failures of Utopian Desire in Marvel’s Black Panther
- Coming Together, "Free, Whole, Decolonized": Reading Black Feminisms in Tochi Onyebuchi’s Riot Baby
- Engaging Second-Person Present – Metafiction and Stereotypes in Violet Allen’s "The Venus Effect"
- "Can You Feel It": Michael Jackson, Afrofuturism, and Building the Jacksonverse Natasha Bailey-Walker
- Afrofuturistic Storytelling in Barracoon and Their Eyes Were Watching God"
- The Middle Passage to the Anthropocene: Eco-Humanist Futures in Black Women’s Poetry
Recenzii
"At the college or university level, The Routledge Handbook of CoFuturisms is a standalone text excellent for a Directed Study proposal of CoFuturisms at any undergraduate or graduate level as well as an extraordinarily appropriate text for World Literature or other intercultural and international studies... [the] entire Handbook may be considered a tool for sociopolitical as well as academic revolutionary thought, a disruption of disempowering assumptions and Eurocentric historicisms to suggest, implant and nurture the potential for transformative self-empowerment and culturally sensitive revolutionary thought."
--Alexis Brooks de Vita, Journal of the Fantastic in the Arts
--Alexis Brooks de Vita, Journal of the Fantastic in the Arts
Descriere
The Routledge Handbook of CoFuturisms delivers a new, inclusive examination of science fiction, from close analyses of single texts to large-scale movements, providing readers with decolonized models of the future, including print, media, race, gender, and social justice.