The Scenography of Howard Barker: The Wrestling School Aesthetic 1998-2011: Routledge Advances in Theatre & Performance Studies
Autor Lara Maleen Kippen Limba Engleză Hardback – 19 oct 2020
Influential contemporary British playwright and director Howard Barker has been engaging with the scenography of the Wrestling School's productions since 1998. Despite this active involvement in the design of set, costume, lighting, and sound, no in-depth published study on this aspect of his work exists to date. This monograph therefore offers the first comprehensive and detailed analysis of Barker's scenographic practice.
Combining aesthetic analysis of play texts and production records with original interview materials, this book presents the first full-length foray into Barker's scenography. It features extracts from conversations with designers working with Barker, and with Barker himself. In addition, it presents the first printed versions of select set and costume designs by Barker.
With the first fully detailed analysis of Barker's scenographic work, this book will be a vital read for scholars and postgraduates of Barker Studies, contemporary British and European drama, theatre, and scenography.
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 302.49 lei 3-5 săpt. | +17.63 lei 6-10 zile |
Taylor & Francis – 29 apr 2022 | 302.49 lei 3-5 săpt. | +17.63 lei 6-10 zile |
Hardback (1) | 983.38 lei 6-8 săpt. | |
Taylor & Francis – 19 oct 2020 | 983.38 lei 6-8 săpt. |
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Specificații
ISBN-10: 0367076551
Pagini: 214
Ilustrații: 12 Halftones, black and white; 12 Illustrations, black and white
Dimensiuni: 156 x 234 x 14 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Theatre & Performance Studies
Locul publicării:Oxford, United Kingdom
Public țintă
General and PostgraduateCuprins
Acknowledgements
Introduction: Two Decades of Scenographic Imagination
Approaching Scenographic Analysis through Aesthetics
From Wagner, Appia, and Craig to Wilson, Goebbels, and Barker
Chapter 1: Space and Place
1.1. Landscape Plays
1.2. Chamber plays:
1.3. Conclusion: not nowhere, but…
Chapter 2: Light and Darkness
2.1. Chiaroscuro and Side-Lighting
2.2. The Ganzfeld effect and the Limits of Perception
Chapter 3: Costume and Styling
3.1. Material Matters
3.2. The Body (Un)Dressed
3.3. Grades of Likeness
Chapter 4: Sound and Silence
4.1. (In)Human Voices and De-naturalised Sounds
4.2. Ubiquity and the End of Meaning
Conclusion
Appendix
References
Index