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The Short Story: A Critical Introduction

Autor Valerie Shaw
en Limba Engleză Paperback – 26 sep 1983
Throughout this text, Valerie Shaw addresses two key questions: 'What are the special satisfactions afforded by reading short stories?' and 'How are these satisfactions derived from each story's literary techniques and narrative strategies?'. She then attempts to answer these questions by drawing on stories from different periods and countries - by authors who were also great novelists, like Henry James, Flaubert, Kafka and D.H. Lawrence; by authors who specifically dedicated themselves to the art of the short story, like Kipling, Chekhov and Katherine Mansfield; by contemporary practitioners like Angela Carter and Jorge Luis Borges; and by unfairly neglected writers like Sarah Orne Jewett and Joel Chandler Harris.
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Specificații

ISBN-13: 9780582486874
ISBN-10: 0582486874
Pagini: 304
Ilustrații: black & white illustrations
Dimensiuni: 138 x 216 x 16 mm
Greutate: 0.56 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Cuprins

Preface  Acknowledgements  1. 'Only short stories': estimates and explanations  2. 'A wide margin for the wonderful': Robert Louis Stevenson  3. 'Artful' narration: from the sensation story to the scenic method  4. 'Artless' narration  5. 'Glanced at through a window': characterization  6. Places and communities  7. Subject-matter  8. 'The Splintering frame'  Bibliography  Index

Descriere

 Throughout this text, the Valerie Shaw addresses two key questions: 'What are the special satisfactions afforded by reading short stories?' and 'How are these satisfactions derived from each story's literary techniques and narrative strategies?'. She then attempts to answer these questions by drawing on stories from different periods and countries xxx; by authors who were also great novelists, like Henry James, Flaubert, Kafka and D.H. Lawrence; by authors who specifically dedicated themselves to the art of the short story, like Kipling, Chekhov and Katherine Mansfield; by contemporary practitioners like Angela Carter and Jorge Luis Borges; and by unfairly neglected writers like Sarah Orne Jewett and Joel Chandler Harris.