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The Smoke in Our Eyes

Autor James Grady
en Limba Engleză Paperback – 20 noi 2024
An action-filled coming of age novel about love, vengeance, corruption, and justice by acclaimed author.
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Paperback (1) 6417 lei  3-5 săpt. +1143 lei  6-12 zile
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Specificații

ISBN-13: 9781835011157
ISBN-10: 1835011152
Pagini: 400
Dimensiuni: 129 x 198 x 27 mm
Greutate: 0.28 kg
Editura: Bedford Square Publishers

Notă biografică

James Grady’s first novel Six Days Of The Condor became the classic Robert Redford movie Three Days Of The Condor and the current Max Irons TV series Condor. Grady has received Italy’s Raymond Chandler Award, France’s Grand Prix Du Roman Noir, Japan’s Baka-Misu literature award, two Regardie's magazine short story awards, and been a Mystery Writers of America Edgar finalist. He's published more than a dozen novels and three times that many short stories, been a muckraker journalist, and a scriptwriter for film and television. In 2008, London’s Daily Telegraph named Grady as one of the “50 crime writers to read before you die.”  In 2015, The Washington Post compared his prose to George Orwell and Bob Dylan.

 

Recenzii

"Beyond painting the landscape so effectively, the author pays close attention to period details unique to the 1950s: the early days of television, the rotary phones, the music on the radio, the cars, folks’ healthy dose of fear about communism taking over the country, and the overt patriotism. The Smoke in Our Eyes is a love letter to simpler, bygone days when people’s sense of awe and wonder could be brought out more easily."
“The excellent coming-of-age story is a change of pace for the legendary thriller author. Here, in this delicate but haunting noir, the young characters are beautifully crafted, the story is dramatic and utterly believable, and the time period is vividly evoked.”
"Though the threat of violence looms throughout the narrative, Grady delivers a spare tale of domestic tragedy, rich with nostalgia and memorable characters. Larry McMurty fans will enjoy themselves." 

 
"Small towns have long been the launch pads for great American literature, from To Kill A Mockingbird to The Heart is a Lonely Hunter.  It's time to welcome one more to the club.  The Smoke in Our Eyes is an ambitiously expansive and yet winsomely intimate portrait of a young boy growing up in Vernon, Montana, in the late 1950s, a town that, as his sister puts it, 'has you pegged the day you're born.' Nobody tells a story better than Grady. With humor and wisdom, with a marvelous eye for the visceral details that bring an entire world into being, Grady chronicles a boy—and a nation—on the threshold of great change. Neither will ever be the same again."
“This isn’t a coming-of-age story of a young boy, this is the coming-of-age story of a young nation, rendered on the canvas of rural America, circa 1959. A heart-rending meditation on how innocence becomes wisdom, how fate becomes freedom, and how nostalgia reveals truth. I loved this book!”
"Grady pivots from the intrigue of The Condor to a powerful, heartfelt coming-of-age tale set in the Last Best Place. Young Lucas gets his first pair of glasses and a good, long look at the underbelly of his hometown. From first crushes and family ties to profound love and deep injustice, The Smoke in Our Eyes is a brilliant portrait of an era. This book feels like home."
"The Smoke in Our Eyes gives us a propulsive coming-of-age novel with a heart as big as its Montana high plains setting."
"James Grady’s The Smoke In Our Eyes rounds up family, community, and the land like his rugged settler-cowhand forebearers… I savored the behaviors, concerns, speech patterns, accomplishments, failures, eccentricities, ids, egos, and the general feast of America and our place of origin in Smoke."

                     
Praise for James Grady

"A cinematic thriller racing through the heartland of our American now."
“A cross-section of American types—visualize an updated version of Chaucer’s Canterbury pilgrims—whose actions, often enigmatic and ominously unsettling, are relayed in fast-moving, syncopated prose, each sentence like a knife-thrust.  It is a truth universally acknowledged that suspense novels set on trains can’t help be anything other than terrific."