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The Social Media Reader: Cărți Social media

Autor Michael Mandiberg
en Limba Engleză Paperback – 29 feb 2012
With the rise of web 2.0 and social media platforms taking over vast tracts of territory on the internet, the media landscape has shifted drastically in the past 20 years, transforming previously stable relationships between media creators and consumers. The Social Media Reader is the first collection to address the collective transformation with pieces on social media, peer production, copyright politics, and other aspects of contemporary internet culture from all the major thinkers in the field.Culling a broad range and incorporating different styles of scholarship from foundational pieces and published articles to unpublished pieces, journalistic accounts, personal narratives from blogs, and whitepapers, The Social Media Reader promises to be an essential text, with contributions from Lawrence Lessig, Henry Jenkins, Clay Shirky, Tim O’Reilly, Chris Anderson, Yochai Benkler, danah boyd, and Fred von Loehmann, to name a few. It covers a wide-ranging topical terrain, much like the internet itself, with particular emphasis on collaboration and sharing, the politics of social media and social networking, Free Culture and copyright politics, and labour and ownership. Theorizing new models of collaboration, identity, commerce, copyright, ownership, and labour, these essays outline possibilities for cultural democracy that arise when the formerly passive audience becomes active cultural creators, while warning of the dystopian potential of new forms of surveillance and control.
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Specificații

ISBN-13: 9780814764060
ISBN-10: 0814764061
Pagini: 300
Ilustrații: 11 b&w illustrations, 3 tables
Dimensiuni: 165 x 228 x 20 mm
Greutate: 0.41 kg
Editura: MI – New York University
Seria Cărți Social media


Cuprins

ContentsAcknowledgments viiiIntroduction 1PartI. Utopia 2.01. The People Formerly Known as the Audience 16Jay Rosen2. Introduction to Sharing Nicely: On Shareable Goods and the Emergence of Sharing as a Modality of Economic Production 22YochaiBenkler3. Open Source as Culture/Culture as Open Source 34Siva VaidhyanathanArticle I.4. What Is Web 2.0: Design Patterns and Business Models for the Next Generation of Software 47Tim O'Reilly5. What Is Collaboration Anyway? 79Adam Hyde, Mike Linksvayer, kanarinka, Michael Mandiberg, Marta Peirano, SissuTarka, Astra Taylor, Alan Toner, MushonZer-AvivPart II. Sociality6. Participating in the Always-On Lifestyle 102danahboyd7. FromIndymedia to Demand Media: Journalism's Visions of Its Audience and the Horizons of Democracy 102C.W. AndersonPart III. Humor8. Phreakers, Hackers, and Trolls and the Politics of Transgression and Spectacle 142E. Gabriella Coleman9. The Language of (Internet) Memes 176Patrick DavisonPart IV. Money10. The Long Tail 195Chris AndersonPart V. Law11. Remix: How Creativity Is Being Strangled by the Law 213Lawrence Lessig12. Your Intermediary Is Your Destiny 235Fred von Lohmann13. On the Fungibility and Necessity of Cultural Freedom 247Fred Benenson14. Giving It Away Is Hard Work: Three Creative Commons Case Studies 261Michael MandibergPart VI. Labor15. Quentin Tarantino’s Star Wars?: Grassroots Creativity Meets the Media Industry 282Henry Jenkins16. Gin, Television, and Social Surplus 331Clay ShirkySection 1.0117.Between Democracy and Spectacle: The Front-End and Back-End of the Social Web 340Felix Stalder18. D. I. Y. Academy? Cognitive Capitalism, Humanist Scholarship, and the Digital Transformation 363Ashley DawsonAbout the Contributors 391Index 000


Recenzii

“Collective intelligence, gold-farming, shareable goods, collaborative learning, demand media: all are explained by this wonderful book, and all are embodied by it. Many of the biggest names in digital and new media studies are here in a tome ready for the classroom that collects both canonical and original work. An outstanding addition to any media scholar or enthusiast’s personal library.” Jonathan Gray, author of Show Sold Separately

"The book already casts a broad net and brings in many treasures exploring issues around social media in so many fields. It makes for an excellent, vital read and makes a necessary to push into more thoughtful explorations on the topic." Hyperallergic


"Collective intelligence, gold-farming, shareable goods, collaborative learning, demand media: all are explained by this wonderful book, and all are embodied by it. Many of the biggest names in digital and new media studies are here in a tome ready for the classroom that collects both canonical and original work. An outstanding addition to any media scholar or enthusiast's personal library." Jonathan Gray, author of Show Sold Separately "The book already casts a broad net and brings in many treasures exploring issues around social media in so many fields. It makes for an excellent, vital read and makes a necessary to push into more thoughtful explorations on the topic." Hyperallergic

Notă biografică

Michael Mandiberg is an artist and Associate Professor of Media Culture at the College of Staten Island/CUNY. He is the co-author of Digital Foundations: an Intro to Media Design and Collaborative Futures.


Descriere

With the rise of web 2.0 and social media platforms taking over vast tracts of territory on the internet, the media landscape has shifted drastically in the past 20 years, transforming previously stable relationships between media creators and consumers. The Social Media Reader is the first collection to address the collective transformation with pieces on social media, peer production, copyright politics, and other aspects of contemporary internet culture from all the major thinkers in the field.Culling a broad range and incorporating different styles of scholarship from foundational pieces and published articles to unpublished pieces, journalistic accounts, personal narratives from blogs, and whitepapers, The Social Media Reader promises to be an essential text, with contributions from Lawrence Lessig, Henry Jenkins, Clay Shirky, Tim O’Reilly, Chris Anderson, Yochai Benkler, danah boyd, and Fred von Loehmann, to name a few. It covers a wide-ranging topical terrain, much like the internet itself, with particular emphasis on collaboration and sharing, the politics of social media and social networking, Free Culture and copyright politics, and labour and ownership. Theorizing new models of collaboration, identity, commerce, copyright, ownership, and labour, these essays outline possibilities for cultural democracy that arise when the formerly passive audience becomes active cultural creators, while warning of the dystopian potential of new forms of surveillance and control.