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The Sonata: Cambridge Introductions to Music

Autor Thomas Schmidt-Beste
en Limba Engleză Paperback – 9 mar 2011
What is a sonata? Literally translated, it simply means 'instrumental piece'. It is the epitome of instrumental music, and is certainly the oldest and most enduring form of 'pure' and independent instrumental composition, beginning around 1600 and lasting to the present day. Schmidt-Beste analyses key aspects of the genre including form, scoring and its social context - who composed, played and listened to sonatas? In giving a comprehensive overview of all forms of music which were called 'sonatas' at some point in musical history, this book is more about change than about consistency - an ensemble sonata by Gabrieli appears to share little with a Beethoven sonata, or a trio sonata by Corelli with one of Boulez's piano sonatas, apart from the generic designation. However, common features do emerge, and the look across the centuries - never before addressed in a single-volume survey - opens up new and significant perspectives.
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Specificații

ISBN-13: 9780521756310
ISBN-10: 0521756316
Pagini: 278
Ilustrații: 12 tables 45 music examples
Dimensiuni: 175 x 246 x 14 mm
Greutate: 0.54 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria Cambridge Introductions to Music

Locul publicării:Cambridge, United Kingdom

Cuprins

Part I. Definitions: 1. Sonata and canzona; 2. Sonata and sinfonia; 3. Sonata and concerto; 4. Sonata and suite/partita; 5. The sonata and free instrumental genres: toccata - ricercar - capriccio - fantasia; Part II. Form: 6. The 'free' sonata in the seventeenth century; 7. Corelli and his legacy; 8. Sonata cycles and 'sonata form' after 1750; 9. Beethoven's sonatas - consummating or transcending Classical form?; 10. The cycle; 11. The sonata after Beethoven; 12. Sonata composition in the twentieth century; Part III. Functions and Aesthetics: 13. Locations and occasions; 14. Target groups: professionals, connoisseurs and amateurs; 15. Learned style; 16. Virtuosity; 17. Sonata form as an aesthetic paradigm; 18. Absolute music? On meaning and programmaticism; Part IV. Scoring and Texture: 19. Developments in the seventeenth and eighteenth centuries; 20. The paradigm shift of c.1750; 21. The age of the piano sonata; 22. Piano and others; 23. The sonata for unaccompanied solo instrument; 24. The organ sonata; Bibliography.

Recenzii

'This book packs a lot in and is highly recommended for the careful reader.' Music Teacher
'This volume seems particularly relevant to first-year undergraduates, who will surely fall upon its jargon-free vocabulary and crystal-clear layout with delight … as a history of works called sonatas, this keenly-focused study is essential reading.' The Musical Times
'5 stars: In this outstanding book Schmidt-Beste covers every conceivable aspect of sonata history.' Classical Music

Notă biografică


Descriere

An introductory survey of the most enduring and popular genre of instrumental music, perfect for students, teachers and performers.