The Sounds of Spectators at Football
Autor Professor or Dr. Nicolai Jørgensgaard Graakjæren Limba Engleză Paperback – 24 iul 2024
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Specificații
ISBN-13: 9781501363733
ISBN-10: 1501363735
Pagini: 176
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.25 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501363735
Pagini: 176
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.25 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Includes a number of case studies to indicate what characterizes the structure, meaning, and functions of spectator sounds in football settings both at the stadium and in mediated texts.
Notă biografică
Nicolai Jørgensgaard Graakjær is Professor of Music and Sound in Market Communication in the Department of Communication and Psychology at Aalborg University, Denmark. His has served as the Editor-in-chief of MedieKultur: Journal of Communication Research (2010-2014) and he is the current Editor-in-chief of the book series MÆRKK - Æstetik og Kommunikation. His publications include Analyzing Music in Advertising (2015), Sound and Genre in Film and Television (2010, Co-editor), and Music in Advertising (2009, Co-editor).
Cuprins
1. Introductions 2. Overview of existing contributions 3. The stadium setting 4. The setting of the televised broadcast 5. ConclusionsReferencesAppendixIndex
Recenzii
Graakjaer has given us a highly original and engaging contribution to sound studies. His thorough-going comparison between the live soundscapes of football matches and their televised versions is revealing and thought-provoking.
Drawing upon his experiences as a musicologist and semiotician, Nicolai Graakjaer has created a detailed and exhaustive study of sound and music in football environments, both live and televised. In the spirit of sound studies by Pierre Schaeffer, Pauline Oliveros, and others, the work is a detailed analysis of the dynamics of sound and music in large-scale sporting events and provides keen insights into how fandom accesses musical references, how music and sound are ritualized and how both function to create emotional bonds that unifies groups of fans. A truly remarkable work in its detail and scope, and has implications on the significance of sound and music in any group dynamic.
In an age when most people watch that most popular sport in the world - football on television screens, this important, innovative and forensic text compares the sound of football in the stadium to that experienced on the screen thereby filling a major gap in the field. A first!
Drawing upon his experiences as a musicologist and semiotician, Nicolai Graakjaer has created a detailed and exhaustive study of sound and music in football environments, both live and televised. In the spirit of sound studies by Pierre Schaeffer, Pauline Oliveros, and others, the work is a detailed analysis of the dynamics of sound and music in large-scale sporting events and provides keen insights into how fandom accesses musical references, how music and sound are ritualized and how both function to create emotional bonds that unifies groups of fans. A truly remarkable work in its detail and scope, and has implications on the significance of sound and music in any group dynamic.
In an age when most people watch that most popular sport in the world - football on television screens, this important, innovative and forensic text compares the sound of football in the stadium to that experienced on the screen thereby filling a major gap in the field. A first!