The Ticket That Exploded: The Restored Text: Penguin Modern Classics
Autor William S. Burroughs Editat de Oliver Harrisen Limba Engleză Paperback – 21 apr 2014
Edited and introduced by renowned Burroughs scholar Oliver Harris, this new edition reveals how the book's cultural reach has expanded with the viral logic of Burroughs' multi-media creative methods.
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Specificații
ISBN-13: 9780141189772
ISBN-10: 0141189770
Pagini: 352
Dimensiuni: 132 x 204 x 20 mm
Greutate: 0.26 kg
Editura: Penguin Books
Colecția Penguin Classics
Seria Penguin Modern Classics
Locul publicării:London, United Kingdom
ISBN-10: 0141189770
Pagini: 352
Dimensiuni: 132 x 204 x 20 mm
Greutate: 0.26 kg
Editura: Penguin Books
Colecția Penguin Classics
Seria Penguin Modern Classics
Locul publicării:London, United Kingdom
Notă biografică
William
S
Burroughs
(Author)
William S. Burroughs was born on February 5, 1914 in St Louis. In work and in life Burroughs expressed a lifelong subversion of the morality, politics and economics of modern America. To escape those conditions, and in particular his treatment as a homosexual and a drug-user, Burroughs left his homeland in 1950, and soon after began writing. By the time of his death he was widely recognised as one of the most politically trenchant, culturally influential, and innovative artists of the twentieth century. His numerous books includeNaked Lunch, Junky, Queer, Nova Express, Interzone, The Wild Boys, The Ticket That Exploded and The Soft Machine. After living in Mexico City, Tangier, Paris, and London, Burroughs finally returned to America in 1974. He died in 1997.
Oliver Harris (External Editor)
Oliver Harris is professor of American literature at Keele University and the editor ofThe Letters of William S. Burroughs, 1945-1959(1993),Junky: the Definitive Text of "Junk"(2003),The Yage Letters Redux(2006), andEverything Lost: The Latin American Notebook of William S. Burroughs(2008). He has published articles on film noir, the epistolary, and Beat Generation writing and the bookWilliam Burroughs and the Secret of Fascination(2003). He is currently co-editingNaked Lunch@50: Anniversary Essays(2009) and working on a new twenty-fifth anniversary edition ofQueer(forthcoming in 2010).
William S. Burroughs was born on February 5, 1914 in St Louis. In work and in life Burroughs expressed a lifelong subversion of the morality, politics and economics of modern America. To escape those conditions, and in particular his treatment as a homosexual and a drug-user, Burroughs left his homeland in 1950, and soon after began writing. By the time of his death he was widely recognised as one of the most politically trenchant, culturally influential, and innovative artists of the twentieth century. His numerous books includeNaked Lunch, Junky, Queer, Nova Express, Interzone, The Wild Boys, The Ticket That Exploded and The Soft Machine. After living in Mexico City, Tangier, Paris, and London, Burroughs finally returned to America in 1974. He died in 1997.
Oliver Harris (External Editor)
Oliver Harris is professor of American literature at Keele University and the editor ofThe Letters of William S. Burroughs, 1945-1959(1993),Junky: the Definitive Text of "Junk"(2003),The Yage Letters Redux(2006), andEverything Lost: The Latin American Notebook of William S. Burroughs(2008). He has published articles on film noir, the epistolary, and Beat Generation writing and the bookWilliam Burroughs and the Secret of Fascination(2003). He is currently co-editingNaked Lunch@50: Anniversary Essays(2009) and working on a new twenty-fifth anniversary edition ofQueer(forthcoming in 2010).
Recenzii
“In Mr. Burroughs’s hands writing reverts to acts of magic, as though he were making some enormous infernal encyclopedia of all the black impulses and acts that, once made, would shut away the fiends forever.”—The New York Times
“It is in books like The Ticket that Exploded that Burroughs seems to revel in a new medium for its own sake—a medium totally fantastic, spaceless, timeless, in which the normal sentence is fractured, the cosmic tries to push its way through bawdry, and the author shakes the reader as a dog shakes a rat.”—Anthony Burgess, author of A Clockwork Orange
“[Burroughs's] Swiftian vision of a processed, pre-packaged life, a kind of electro-chemical totalitarianism, often evokes the black laughter of hilarious horror.”—Playboy
“The power of his imagination often carries his comedy far into the buried recesses of the psyche.”—The New Republic
“It is in books like The Ticket that Exploded that Burroughs seems to revel in a new medium for its own sake—a medium totally fantastic, spaceless, timeless, in which the normal sentence is fractured, the cosmic tries to push its way through bawdry, and the author shakes the reader as a dog shakes a rat.”—Anthony Burgess, author of A Clockwork Orange
“[Burroughs's] Swiftian vision of a processed, pre-packaged life, a kind of electro-chemical totalitarianism, often evokes the black laughter of hilarious horror.”—Playboy
“The power of his imagination often carries his comedy far into the buried recesses of the psyche.”—The New Republic