The Two Faces of January: Virago Modern Classics
Autor Patricia Highsmithen Limba Engleză Paperback – 2 iun 2016
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (2) | 48.31 lei 3-5 săpt. | +24.05 lei 6-12 zile |
Little Brown Book Group – 2 iun 2016 | 48.31 lei 3-5 săpt. | +24.05 lei 6-12 zile |
Grove Atlantic – 31 dec 2013 | 91.85 lei 3-5 săpt. |
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Specificații
ISBN-13: 9780349008080
ISBN-10: 0349008086
Pagini: 320
Dimensiuni: 128 x 197 x 21 mm
Greutate: 0.22 kg
Editura: Little Brown Book Group
Seria Virago Modern Classics
ISBN-10: 0349008086
Pagini: 320
Dimensiuni: 128 x 197 x 21 mm
Greutate: 0.22 kg
Editura: Little Brown Book Group
Seria Virago Modern Classics
Notă biografică
Patricia Highsmith (1921-1995) was born in Fort Worth, Texas, and moved to New York when she was six. In her senior year, she edited the college magazine, having decided at the age of sixteen to become a writer. Her first novel, Strangers on a Train (1950), was made into a classic film by Alfred Hitchcock in 1951. The Talented Mr Ripley (1955), introduced the fascinating anti-hero Tom Ripley, and was made into an Oscar-winning film in 1999 by Anthony Minghella. Highsmith died in Locarno, Switzerland, in February 1995. Her last novel, Small g: A Summer Idyll, was published posthumously, the same year.
Recenzii
Praise for Patricia Highsmith
"[Highsmith's] characters are irrational, and they leap to life in their very lack of reason. . . . Highsmith is the poet of apprehension rather than fear."—Graham Greene
"For some obscure reason, one of our greatest modernist writers, Patricia Highsmith, has been thought of in her own land as a writer of thrillers. She is both. She is certainly one of the most interesting writers of this dismal century."—Gore Vidal
"Miss Highsmith's genius is in presenting fantasy's paradox: successes are not what they seem. . . . Where in the traditional fairy tale the heroine turns the toad into a prince, in Miss Highsmith's fables the prince becomes a toad—success is nearly always fatal. . . . Combining the best features of the suspense genre with the best of existential fiction—a reflection—the stories are fabulous, in all the senses of that word."—Paul Theroux
"Patricia Highsmith's novels are peerlessly disturbing—bad dreams that keep us restless and thrashing for the rest of the night."—Terrence Rafferty, New Yorker
"Highsmith, who can change reality to nightmare with one well-turned phrase, is a legendary crime writer."—Cleveland Plain Dealer
"[Highsmith's] characters are irrational, and they leap to life in their very lack of reason. . . . Highsmith is the poet of apprehension rather than fear."—Graham Greene
"For some obscure reason, one of our greatest modernist writers, Patricia Highsmith, has been thought of in her own land as a writer of thrillers. She is both. She is certainly one of the most interesting writers of this dismal century."—Gore Vidal
"Miss Highsmith's genius is in presenting fantasy's paradox: successes are not what they seem. . . . Where in the traditional fairy tale the heroine turns the toad into a prince, in Miss Highsmith's fables the prince becomes a toad—success is nearly always fatal. . . . Combining the best features of the suspense genre with the best of existential fiction—a reflection—the stories are fabulous, in all the senses of that word."—Paul Theroux
"Patricia Highsmith's novels are peerlessly disturbing—bad dreams that keep us restless and thrashing for the rest of the night."—Terrence Rafferty, New Yorker
"Highsmith, who can change reality to nightmare with one well-turned phrase, is a legendary crime writer."—Cleveland Plain Dealer