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The Velvet Underground: What Goes On

Editat de Sean Albiez, David Pattie
en Limba Engleză Paperback – 17 apr 2024
Though The Velvet Underground were critically and commercially unsuccessful in their time, in ensuing decades they have become a constant touchstone in art rock, punk, post-punk, indie, avant pop and alternative rock. In the 1970s and 80s Lou Reed, John Cale and Nico produced a number of works that traveled a path between art and pop. In 1993 the original band members of Reed, Cale, Morrison and Tucker briefly reunited for live appearances, and afterwards Reed, Cale and briefly Tucker, continued to produce music that travelled the idiosyncratic path begun in New York in the mid-1960s.The influence of the band and band members, mediated and promoted through famous fans such as David Bowie and Brian Eno, seems only to have expanded since the late 1960s. In 1996 the Velvet Underground were in inducted into the Rock and Roll Hall of Fame, demonstrating how far the band had traveled in 30 years from an avant-garde cult to the mainstream recognition of their key contributions to popular music. In these collected essays, Pattie and Albiez present the first academic book-length collection on The Velvet Underground. The book covers a range of topics including the band's relationship to US literature, to youth and cultural movements of the 1960s and beyond and to European culture - and examines these contexts from the 1960s through to the present day.
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Specificații

ISBN-13: 9781501393907
ISBN-10: 1501393901
Pagini: 310
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.42 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States

Caracteristici

The first academic collection of essays that covers both the work of the Velvet Underground and the work of band members after the dissolution of the band. There have been studies of the band, biographies both of the band and of Lou Reed and work on individual albums, but no other volume brings together work on all of the aspects of the band, both together and as solo artists

Notă biografică

Sean Albiez is an Independent Scholar and musician. He has published on electronic music, music technology, punk and post-punk. He is currently researching topics in electronic music history and has thirty years experience lecturing in popular music at UK universities and colleges. He is co-editor of Kraftwerk: Music Non Stop (2011) and Brian Eno: Oblique Music (2016), and Contributing Editor (Music Technology) for the Bloomsbury Encyclopedia of Popular Music of the World. He produces electronic music as ghost elektron and - with Martin James - as Nostalgia Deathstar.David Pattie is Senior Lecturer in Drama and Theatre Arts at the University of Birmingham, UK. He researches and publishes in a number of areas; popular music performance and culture, contemporary British and Scottish theatre, and the work of Samuel Beckett. He is the author of Rock Music in Performance (2007), and the co-editor of the books Kraftwerk: Music Non Stop (2011) and Brian Eno: Oblique Music (2016).

Cuprins

ContributorsIntroduction Sean Albiez (Independent Scholar, UK) and David Pattie (University of Birmingham, UK)1.Saved by Rock and Roll: The Velvet Underground In and Out of HistoryJeffrey Roessner (Mercyhurst University, USA)2. The Velvet Underground and the Networks of Sound, Vision and Words of the Fertile Transatlantic Crescent 1965 - 1967Johnny Hopkins (Solent University, Southampton, UK) and Martin James (Solent University, Southampton, UK)3. Andy Warhol Films, The Velvet Underground and NicoGlyn Davis (University of St Andrews, UK)4. 'The Riskiest Kind of Writing Available': Lou Reed, Grove Press and the Literary UndergroundThom Robinson (Newcastle University, UK)5. The Velvet Underground and Musical ArchetypesJulijana Papazova (European Scientific Institute, Spain)6. Lou Reed's Great American NovelPeter Griffiths (East Midlands, UK)7. Nico, Captain of Her Own Ship: Cultural Accreditation and Mid-60s Experimental RockMimi Haddon (University of Sussex, UK)8. European Son: 'Europe' in Nico, Cale and Reed's Long-1970s Solo WorkToby Manning (Independent Scholar, UK)9.'I'll be Your Mirror': The Velvet Underground as the legacy of Ziggy Stardust Johnny Hopkins (Solent University, Southampton, UK) and Martin James (Solent University, Southampton, UK)10. What Caroline Says: Berlin, 1973 and 2006David Pattie (University of Birmingham, UK)11. Unfrozen Borderlines: Nico, John Cale and Brian Eno at the Berlin NationalgalerieSean Albiez (Independent Scholar, UK) and Timor Kaul (Independent Scholar, Germany)12. Noise Annoys: Lou Reed's Metal Machine MusicMark Goodall (University of Bradford, UK)13. The Velvet Underground is a Jonathan Richman SongCibrán Tenreiro Uzal (Universidade de Santiago de Compostela, Spain) 14. 'It's Not That I Don't Want to Play Your Favourites': Lou Reed, Improvisation, and PerformanceDavid Pattie (University of Birmingham, UK)15. Portrait of the Artist as Andy Warhol: Lou Reed and John Cale's Songs for DrellaElizabeth Ann Lindau (California State University, Long Beach, USA)16. The Late Musical Voice: John Cale and Lou Reed in the 21st CenturySean Albiez (Independent Scholar, UK)Discography - The Velvet Underground and Solo WorksDiscographical and Musical Works ReferencesFilm, Television and Radio ReferencesIndex

Recenzii

This volume marks itself as essential for even the most jaded VU head. ... Collectively these 12 chapters make for a lively, insightful, critical account of post-Velvet Underground activities.
These essays place the Velvet Underground in the context of the downtown New York music, artistic and literary scene of the 1960s and examine its extended legacy in the later work of former group members and figures such as David Bowie and Jonathan Richman. The multiple perspectives they provide gave me new ways to grasp the legend that is the Velvet Underground.
The book offers a fresh approach to looking at The Velvet Underground, one of the most influential bands of the 20th century. Written from musicological, film studies, cultural studies, literary, and historical perspectives, the collection offers a vibrant and multidisciplinary take on the band and its larger 'world'. Chapters about an album, a controversial performance, a relationship, a film, and a fan, provide an eclectic and fresh view of the band, its members, and the broader cultural context within which it existed.
The Velvet Underground was a stroppy, defiant and difficult band. The academic research into the Velvets rarely captured the rage, the humour, the confusion, the ambivalence and the raw power. The Velvet Underground is a magisterial book that "gets" the Velvets. There is a commitment to arch beyond easy commentary about Reed or Warhol or Tucker. This book revels in un/popular music that lashes into our populist times.