The Victorian Ghost Story and Theology: From Le Fanu to James
Autor Zoe Lehmann Imfelden Limba Engleză Hardback – 8 aug 2016
This book argues that theology is central to an understanding of the literary ghost story. Victorian ghost stories have traditionally been read in the context of agnosticism – as stories which reveal a society struggling with Christian orthodoxy in a new ‘Enlightened’ world. This book, however, uses theological ideas from St Augustine through to modern theologians to identify a theological journey taken by the protagonists of such stories, and charts each stage of this journey through the short stories it examines. It also proposes a theory of reader participation which creates an imaginary space in which modern epistemology is suspended. The book studies the work of four major authors of the supernatural tale: Arthur Machen, M.R. James, Sheridan Le Fanu and Henry James.
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Specificații
ISBN-13: 9783319302188
ISBN-10: 3319302183
Pagini: 211
Ilustrații: X, 188 p. 1 illus. in color.
Dimensiuni: 148 x 210 x 17 mm
Greutate: 0.37 kg
Ediția:1st ed. 2016
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
ISBN-10: 3319302183
Pagini: 211
Ilustrații: X, 188 p. 1 illus. in color.
Dimensiuni: 148 x 210 x 17 mm
Greutate: 0.37 kg
Ediția:1st ed. 2016
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
Cuprins
Preface.- Acknowledgements.- Introduction.- 1. ‘Strangely mistaking death for life’: Arthur Machen.- 2. ‘What is this that I have done?’: M.R. James.- 3. ‘These devils have made quite a saint of you.’: Sheridan Le Fanu.- 4. ‘He’s there from the moment he knows somebody else is.’: Haunted by Paralysis in the Stories of Henry James.- Conclusion.- Bibliography.- Index.
Notă biografică
Zoë Lehmann Imfeld is Lecturer in Modern English Literature at the University of Bern, Switzerland. She is co-editor of the volume Theology and Literature after Postmodernity.
Textul de pe ultima copertă
This book argues that theology is central to an understanding of the literary ghost story. Victorian ghost stories have traditionally been read in the context of agnosticism – as stories which reveal a society struggling with Christian orthodoxy in a new ‘Enlightened’ world. This book, however, uses theological ideas from St Augustine through to modern theologians to identify a theological journey taken by the protagonists of such stories, and charts each stage of this journey through the short stories it examines. It also proposes a theory of reader participation which creates an imaginary space in which modern epistemology is suspended. The book studies the work of four major authors of the supernatural tale: Arthur Machen, M.R. James, Sheridan Le Fanu and Henry James.
Caracteristici
Repositions theology as central to the understanding of the Victorian ghost story, which has traditionally been read in the context of Victorian agnosticism Examines the work of four of the best known exponents of the Victorian ghost story Uses a wide variety of theological ideas from St Augustine through to modern theologians