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The Viola da Gamba

Autor Bettina Hoffmann Traducere de Paul Ferguson
en Limba Engleză Hardback – 20 apr 2018
The viola da gamba was a central instrument in European music from the late 15th century well into the late 18th. In this comprehensive study, Bettina Hoffmann offers both an introduction to the instrument -- its construction, technique and history -- for the non-specialist, interweaving this information with a wealth of original archival scholarship that experts will relish. The book begins with a description of the instrument, and here Hoffmann grapples with the complexity of various names applied to this and related instruments. Following two chapters on the instrument's construction and ancestry, the core of the book is given to a historical and geographical survey of the instrument from its origins into the classical period. The book closes with a look at the revival of interest in the 19th and 20th centuries.
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Specificații

ISBN-13: 9781138240230
ISBN-10: 1138240230
Pagini: 406
Ilustrații: 127 Line drawings, black and white; 110 Halftones, black and white; 3 Tables, black and white; 240 Illustrations, black and white
Dimensiuni: 156 x 234 x 24 mm
Greutate: 0.91 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Professional

Cuprins

1. Getting acquainted 2. Anatomy of a viol 3. Antecedents 4. Renaissance 5. Baroque and Classical 6. The Revival

Descriere

The viola da gamba was a central instrument in European music from the late fifteenth century well into the late eighteenth. In this comprehensive study, Bettina Hoffmann offers both an introduction to the instrument -- its construction, technique and history -- for the non-specialist, interweaving this information with a wealth of original archival scholarship that experts will relish. The book begins with a description of the instrument, and here Hoffmann grapples with the complexity of its various names. Following two chapters on the instrument's construction and ancestry, the core of the book is given to a historical and geographical survey of the instrument from its origins into the classical period. The book closes with a look at the revival of interest in the nineteenth and twentieth centuries.