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The Wind Band Music of Henry Cowell: CMS Monographs and Sourcebooks in American Music

Autor Jeremy Brown
en Limba Engleză Hardback – 15 mar 2018
The Wind Band Music of Henry Cowell studies the compositions for wind band by twentieth-century composer Henry Cowell, a significant and prolific figure in American fine art music from 1914-1965. The composer is noteworthy and controversial because of his radical early works, his interest in non-Western musics, and his retrogressive mature style—along with notoriety for his imprisonment in San Quentin on a morals charge. Eleven chapters are organized both topically and chronologically. An introduction, conclusion, series of eight appendices, bibliography, and discography complete this comprehensive study, along with an audio playlist of representative works, hosted on the CMS website.
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Specificații

ISBN-13: 9780815375739
ISBN-10: 0815375735
Pagini: 346
Ilustrații: 23 Tables, black and white; 65 Illustrations, black and white
Dimensiuni: 178 x 254 x 21 mm
Greutate: 0.77 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria CMS Monographs and Sourcebooks in American Music

Locul publicării:Oxford, United Kingdom

Cuprins

1. Introduction: Destined to Compose for Wind Band  2. The Genesis of the Early Band Works  3. Celtic Set for Band: The Countless California Confluences  4. The Celtic Set Letters from Cowell to Grainger, 1937-1940  5. Celtic Set—Composed by Cowell, Edited by Grainger, Rescored by Goldman  6. Cowell on His Own: Sublime Wind Band Music  7. Unpublished Band Works for Friends and Fellow Prisoners, 1938-1940  8. On Parole: Compositions for Band  9. Works for Band, 1942-1950  10. "Simplification with Substance": 1950-1965  11. Conclusions
 
 
 
 

Notă biografică

Jeremy S. Brown is Professor of Music at the University of Calgary and the lead compiler of the Royal Conservatory of Music's inaugural Saxophone Series.

Descriere

The Wind Band Music of Henry Cowell studies the compositions for wind band by twentieth-century composer Henry Cowell, a significant and prolific figure in American fine art music from 1914-1965. The composer is noteworthy and controversial because of his radical early works, his interest in non-Western musics, and his retrogressive mature style—along with notoriety for his imprisonment in San Quentin on a morals charge. Eleven chapters are organized both topically and chronologically. An introduction, conclusion, series of eight appendices, bibliography, and discography complete this comprehensive study, along with an audio playlist of representative works, hosted on the CMS website.