Cantitate/Preț
Produs

The Witch of Prague

Autor F. Marion Crawford
en Limba Engleză Paperback
A great multitude of people filled the church, crowded together in the old black pews, standing closely thronged in the nave and aisles, pressing shoulder to shoulder even in the two chapels on the right and left of the apse, a vast gathering of pale men and women whose eyes were sad and in whose faces was written the history of their nation. The mighty shafts and pilasters of the Gothic edifice rose like the stems of giant trees in a primeval forest from a dusky undergrowth, spreading out and uniting their stony branches far above in the upper gloom. From the clerestory windows of the nave an uncertain light descended halfway to the depths and seemed to float upon the darkness below as oil upon the water of a well.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (6) 5702 lei  22-36 zile
  CREATESPACE – 5702 lei  22-36 zile
  9299 lei  22-36 zile
  CREATESPACE – 11927 lei  22-36 zile
  Echo Library – 17 iul 2017 14406 lei  38-44 zile
  Echo Library – 23 mai 2012 14467 lei  38-44 zile
  Borgo Press – apr 2000 15935 lei  43-57 zile
Hardback (1) 33456 lei  43-57 zile
  Lulu – 23 mar 2014 33456 lei  43-57 zile

Preț: 5702 lei

Nou

Puncte Express: 86

Preț estimativ în valută:
1091 1137$ 907£

Carte disponibilă

Livrare economică 20 ianuarie-03 februarie 25

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781517586997
ISBN-10: 1517586992
Pagini: 122
Dimensiuni: 216 x 279 x 7 mm
Greutate: 0.3 kg
Editura: CREATESPACE

Notă biografică

Francis Marion Crawford (1854 - 1909) was an American writer noted for his many novels, especially those set in Italy and for his classic weird and fantastic stories. H. Russell Wakefield, in an essay on ghost stories, called Crawford's "The Upper Berth" "the very best one" of such stories. Norman Douglas credits Crawford's financial success as instrumental in encouraging himself to write (though he remained critical of Crawford's habit of inserting first-person editorial comments into his fiction).