Cantitate/Preț
Produs
Total produse
Vezi coșul
The Woman in White de Wilkie Collins

The Woman in White

Autor Wilkie Collins
en Limba Engleză Paperback – 26 mai 2019
THE STORY BEGUN BY WALTER HARTRIGHT (of Clement's Inn, Teacher of Drawing) This is the story of what a Woman's patience can endure, and what a Man's resolution can achieve. If the machinery of the Law could be depended on to fathom every case of suspicion, and to conduct every process of inquiry, with moderate assistance only from the lubricating influences of oil of gold, the events which fill these pages might have claimed their share of the public attention in a Court of Justice. But the Law is still, in certain inevitable cases, the pre-engaged servant of the long purse; and the story is left to be told, for the first time, in this place. As the Judge might once have heard it, so the Reader shall hear it now. No circumstance of importance, from the beginning to the end of the disclosure, shall be related on hearsay evidence. When the writer of these introductory lines (Walter Hartright by name) happens to be more closely connected than others with the incidents to be recorded, he will describe them in his own person. When his experience fails, he will retire from the position of narrator; and his task will be continued, from the point at which he has left it off, by other persons who can speak to the circumstances under notice from their own knowledge, just as clearly and positively as he has spoken before them. Thus, the story here presented will be told by more than one pen, as the story of an offence against the laws is told in Court by more than one witness-with the same object, in both cases, to present the truth always in its most direct and most intelligible aspect; and to trace the course of one complete series of events, by making the persons who have been most closely connected with them, at each successive stage, relate their own experience, word for word.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (50) 2585 lei  3-5 săpt. +1622 lei  6-10 zile
  HarperCollins Publishers – 30 sep 2011 2585 lei  3-5 săpt. +1622 lei  6-10 zile
  Wordsworth Editions – 31 dec 2007 2931 lei  3-5 săpt. +1494 lei  6-10 zile
  Alma Books COMMIS – 31 dec 2015 4296 lei  3-5 săpt. +2148 lei  6-10 zile
  Arcturus Publishing – 19 iun 2017 4696 lei  3-5 săpt. +1547 lei  6-10 zile
  Bantam Classics – 31 mar 1985 4956 lei  3-5 săpt.
  Real Reads – 13 noi 2011 5043 lei  3-5 săpt. +598 lei  6-10 zile
  Oxford University Press – 16 apr 2008 5112 lei  3-5 săpt. +2092 lei  6-10 zile
  Vintage Books USA – 3 oct 2007 5274 lei  23-34 zile +2620 lei  6-10 zile
  Penguin Books – 26 feb 2003 5326 lei  23-34 zile +2710 lei  6-10 zile
  Penguin Books – 28 noi 2012 5375 lei  23-34 zile +2792 lei  6-10 zile
  HarperCollins Publishers – 24 oct 2022 5603 lei  3-5 săpt. +2636 lei  6-10 zile
  CreateSpace Independent Publishing Platform – 7919 lei  3-5 săpt.
  CREATESPACE – 8505 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 10632 lei  3-5 săpt.
  CREATESPACE – 12028 lei  3-5 săpt.
  CREATESPACE – 12187 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 26 noi 2015 13571 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 26 noi 2015 14321 lei  3-5 săpt.
  CREATESPACE – 15446 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 16329 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 16426 lei  3-5 săpt.
  CREATESPACE – 16624 lei  3-5 săpt.
  – 17094 lei  3-5 săpt.
  – 17254 lei  3-5 săpt.
  CREATESPACE – 18277 lei  3-5 săpt.
  – 20784 lei  3-5 săpt.
  Hansebooks – 28 iun 2016 23810 lei  3-5 săpt.
  – 10386 lei  6-8 săpt.
  CREATESPACE – 11146 lei  6-8 săpt.
  – 11464 lei  6-8 săpt.
  CreateSpace Independent Publishing Platform – 11584 lei  6-8 săpt.
  Digireads.com – 7 mai 2017 13300 lei  6-8 săpt.
  SMK Books – 21 dec 2008 14494 lei  6-8 săpt.
  – 15171 lei  6-8 săpt.
  – 15620 lei  6-8 săpt.
  CREATESPACE – 15646 lei  6-8 săpt.
  – 15703 lei  6-8 săpt.
  – 16712 lei  6-8 săpt.
  Throne Classics – 26 mai 2019 16770 lei  38-44 zile
  – 17008 lei  6-8 săpt.
  – 17322 lei  6-8 săpt.
  – 17322 lei  6-8 săpt.
  Book Jungle – 13 mar 2009 18230 lei  6-8 săpt.
  SC Active Business Development SRL – 29 noi 2017 19778 lei  38-44 zile
  Simon & Brown – 28 feb 2011 24413 lei  38-44 zile
  Antiquarius – 25 oct 2020 29497 lei  38-44 zile
  Simon & Brown – 30 sep 2011 29619 lei  38-44 zile
  Hesperides Press – 31 dec 2005 29947 lei  38-44 zile
  Simon & Brown – 24 oct 2018 32481 lei  38-44 zile
  Simon & Brown – 11 noi 2018 34157 lei  38-44 zile
Hardback (8) 12532 lei  3-5 săpt. +3400 lei  6-10 zile
  Penguin Books – 30 sep 2009 12532 lei  3-5 săpt. +3400 lei  6-10 zile
  Throne Classics – 26 mai 2019 25426 lei  38-44 zile
  SMK Books – 2 apr 2018 27333 lei  6-8 săpt.
  – 29895 lei  38-44 zile
  Simon & Brown – 17 oct 2011 35673 lei  38-44 zile
  Simon & Brown – 24 oct 2018 37671 lei  38-44 zile
  Antiquarius – 25 oct 2020 38788 lei  38-44 zile
  Simon & Brown – 11 noi 2018 38892 lei  38-44 zile

Preț: 16770 lei

Nou

Puncte Express: 252
Preț estimativ în valută:
3209€ • 3385$ • 2682£

Carte tipărită la comandă

Livrare economică 28 decembrie 24 - 03 ianuarie 25

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9789389232325
ISBN-10: 9389232325
Pagini: 420
Dimensiuni: 152 x 229 x 24 mm
Greutate: 0.61 kg
Editura: Throne Classics

Descriere

Descriere de la o altă ediție sau format:

The Penguin English Library Edition of The Woman in White by Wilkie Collins

'In one moment, every drop of blood in my body was brought to a stop ... There, as if it had that moment sprung out of the earth ... stood the figure of a solitary Woman, dressed from head to foot in white'

The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.
The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

Caracteristici

Includes pictures and an extensive section on Collin's life and works

Notă biografică

William Wilkie Collins was born in London in 1824, the eldest son of a successful painter, William Collins. He studied law and was admitted to the bar but never practiced his nominal profession, devoting his time to writing instead. His first published book was a biography of his father, his second a florid historical romance. The first hint of his later talents came with Basil (1852), a vivid tale of seduction, treachery, and revenge.

In 1851 Collins had met Charles Dickens, who would become his close friend and mentor. Collins was soon writing unsigned articles and stories for Dickens’s magazine, Household Words, and his novels were serialized in its pages. Collins brought out the boyish, adventurous side of Dickens’s character; the two novelists traveled to Italy, Switzerland, and France together, and their travels produced such lighthearted collaborations as “The Lazy Tour of Two Idle Apprentices.” They also shared a passion for the theater, and Collins’s melodramas, notably “The Frozen Deep,” were presented by Dickens’s private company, with Dickens and Collins in leading roles.

Collins’s first mystery novel was Hide and Seek (1853). His first popular success was The Woman in White (1860), followed by No Name (1862), Armadale (1866), and The Moonstone (1868), whose Sergeant Cuff became a prototype of the detective hero in English fiction. Collins’s concentration on the seamier side of life did not endear him to the critics of his day, but he was among the most popular of Victorian novelists. His meticulously plotted, often violent novels are now recognized as the direct ancestors of the modern mystery novel and thriller.

Collins’s private life was an open secret among his friends. He had two mistresses, one of whom bore him three children. His later years were marred by a long and painful eye disease. His novels, increasingly didactic, declined greatly in quality, but he continued to write by dictating to a secretary until 1886. He died in 1889.

Recenzii

"The most popular novel of the 19th century, and still one of the best plots in English literature. Notable for its marvellous villains and, like all Collins's work, for its complex, spirited and believable female characters" -- Sarah Waters "The various women of the book - in white and otherwise - are wonderfully real" -- Elizabeth Kostova "To Mr Collins belongs the credit of having introduced into ficiton those most mysterious of mysteries, the mysteries which are at our own doors" -- Henry James

Extras

Chapter One


The Narrative of Walter Hartright, of Clemant's Inn, London

IT WAS the last day of July. The long hot summer was drawing to a close; and we, the weary pilgrims of the London pavement, were beginning to think of the cloud-shadows on the corn-fields, and the autumn breezes on the sea-shore.

For my own poor part, the fading summer left me out of health, out of spirits, and, if the truth must be told, out of money as well. During the past year, I had not managed my professional resources as carefully as usual; and my extravagance now limited me to the prospect of spending the autumn economically between my mother's cottage at Hampstead, and my own chambers in town.

The evening, I remember, was still and cloudy; the London air was at its heaviest; the distant hum of the street-traffic was at its faintest; the small pulse of the life within me and the great heart of the city around me seemed to be sinking in unison, languidly and more languidly, with the sinking sun. I roused myself from the book which I was dreaming over rather than reading, and left my chambers to meet the cool night air in the suburbs. It was one of the two evenings in every week which I was accustomed to spend with my mother and my sister. So I turned my steps northward, in the direction of Hampstead.

Events which I have yet to relate, make it necessary to mention in this place that my father had been dead some years at the period of which I am now writing; and that my sister Sarah, and I, were the sole survivors of a family of five children. My father was a drawing-master before me. His exertions had made him highly successful in his profession; and his affectionate anxiety to provide for the future of those who were dependent on his labours, had impelled him, from the time of his marriage, to devote to the insuring of his life a much larger portion of his income than most men consider it necessary to set aside for that purpose. Thanks to his admirable prudence and self-denial, my mother and sister were left, after his death, as independent of the world as they had been during his lifetime. I succeeded to his connexion, and had every reason to feel grateful for the prospect that awaited me at my starting in life.

The quiet twilight was still trembling on the topmost ridges of the heath; and the view of London below me had sunk into a black gulf in the shadow of the cloudy night, when I stood before the gate of my mother's cottage. I had hardly rung the bell, before the house-door was opened violently; my worthy Italian friend, Professor Pesca, appeared in the servant's place; and darted out joyously to receive me, with a shrill foreign parody on an English cheer.

On his own account, and, I must be allowed to add, on mine also, the Professor merits the honour of a formal introduction. Accident has made him the starting-point of the strange family story which it is the purpose of these pages to unfold.

I had first become acquainted with my Italian friend by meeting him at certain great houses, where he taught his own language and I taught drawing. All I then knew of the history of his life was, that he had once held a situation in the University of Padua; that he had left Italy for political reasons (the nature of which he uniformly declined to mention to anyone); and that he had been for many years respectably established in London as a teacher of languages.

Without being actually a dwarf-for he was perfectly well-proportioned from head to foot-Pesca was, I think, the smallest human being I ever saw, out of a show-room. Remarkable anywhere, by his personal appearance, he was still further distinguished among the rank and file of mankind, by the harmless eccentricity of his character. The ruling idea of his life appeared to be, that he was bound to show his gratitude to the country which had afforded him an asylum and a means of subsistence, by doing his utmost to turn himself into an Englishman. Not content with paying the nation in general the compliment of invariably carrying an umbrella, and invariably wearing gaiters and a white hat, the Professor further aspired to become an Englishman in his habits and amusements, as well as in his personal appearance. Finding us distinguished, as a nation, by our love of athletic exercises, the little man, in the innocence of his heart, devoted himself impromptu to all our English sports and pastimes, whenever he had the opportunity of joining them; firmly persuaded that he could adopt our national amusements of the field, by an effort of will, precisely as he had adopted our national gaiters and our national white hat.

I had seen him risk his limbs at a fox-hunt and in a cricket-field; and, soon afterwards, I saw him risk his life, just as blindly, in the sea at Brighton. We had met there accidentally, and were bathing together. If we had been engaged in any exercise peculiar to my own nation, I should, of course, have looked after Pesca carefully; but, as foreigners are generally quite as well able to take care of themselves in the water as Englishmen, it never occurred to me that the art of swimming might merely add one more to the list of manly exercises which the Professor believed that he could learn impromptu. Soon after we had both struck out from shore, I stopped, finding my friend did not gain on me, and turned round to look for him. To my horror and amazement, I saw nothing between me and the beach but two little white arms, which struggled for an instant above the surface of the water, and then disappeared from view. When I dived for him, the poor little man was lying quietly coiled up at the bottom, in a hollow of shingle, looking by many degrees smaller than I had ever seen him look before. During the few minutes that elapsed while I was taking him in, the air revived him, and he ascended the steps of the machine with my assistance. With the partial recovery of his animation came the return of his wonderful delusion on the subject of swimming. As soon as his chattering teeth would let him speak, he smiled vacantly, and said he thought it must have been the Cramp.

When he had thoroughly recovered himself and had joined me on the beach, his warm Southern nature broke through all artificial English restraints, in a moment. He overwhelmed me with the wildest expressions of affection-exclaimed passionately, in his exaggerated Italian way, that he would hold his life, henceforth, at my disposal-and declared that he should never be happy again, until he had found an opportunity of proving his gratitude by rendering me some service which I might remember, on my side, to the end of my days. I did my best to stop the torrent of his tears and protestations, by persisting in treating the whole adventure as a good subject for a joke; and succeeded at last, as I imagined, in lessening Pesca's overwhelming sense of obligation to me. Little did I think then-little did I think afterwards when our pleasant Brighton holiday had drawn to an end-that the opportunity of serving me for which my grateful companion so ardently longed, was soon to come; that he was eagerly to seize it on the instant; and that, by so doing, he was to turn the whole current of my existence into a new channel, and to alter me to myself almost past recognition.

Yet, so it was. If I had not dived for Professor Pesca, when he lay under water on his shingle bed, I should, in all human probability, never have been connected with the story which these pages will relate-I should never, perhaps, have heard even the name of the woman, who has lived in all my thoughts, who has possessed herself of all my energies, who has become the one guiding influence that now directs the purpose of my life.

Chapter Two


Pesca's face and manner, on the evening when we confronted each other at my mother's gate, were more than sufficient to inform me that something extraordinary had happened. It was quite useless, however, to ask him for an immediate explanation. I could only conjecture, while he was dragging me in by both hands, that (knowing my habits) he had come to the cottage to make sure of meeting me that night, and that he had some news to tell of an unusually agreeable kind.

We both bounced into the parlour in a highly abrupt and undignified manner. My mother sat by the open window, laughing and fanning herself. Pesca was one of her especial favourites; and his wildest eccentricities were always pardonable in her eyes. Poor dear soul! from the first moment when she found out that the little Professor was deeply and gratefully attached to her son, she opened her heart to him unreservedly, and took all his puzzling foreign peculiarities for granted, without so much as attempting to understand any one of them.

My sister Sarah, with all the advantages of youth, was, strangely enough, less pliable. She did full justice to Pesca's excellent qualities of heart; but she could not accept him implicitly, as my mother accepted him, for my sake. Her insular notions of propriety rose in perpetual revolt against Pesca's constitutional contempt for appearances; and she was always more or less undisguisedly astonished at her mother's familiarity with the eccentric little foreigner. I have observed, not only in my sister's case, but in the instances of others, that we of the young generation are nothing like so hearty and so impulsive as some of our elders. I constantly see old people flushed and excited by the prospect of some anticipated pleasure which altogether fails to ruffle the tranquillity of their serene grandchildren. Are we, I wonder, quite such genuine boys and girls now as our seniors were, in their time? Has the great advance in education taken rather too long a stride; and are we, in these modern days, just the least trifle in the world too well brought up?

Without attempting to answer those questions decisively, I may at least record that I never saw my mother and my sister together in Pesca's society, without finding my mother much the younger woman of the two. On this occasion, for example, while the old lady was laughing heartily over the boyish manner in which we tumbled into the parlour, Sarah was perturbedly picking up the broken pieces of a teacup, which the Professor had knocked off the table in his precipitate advance to meet me at the door.

"I don't know what would have happened, Walter," said my mother, "if you had delayed much longer. Pesca has been half-mad with impatience; and I have been half-mad with curiosity. The Professor has brought some wonderful news with him, in which he says you are concerned; and he has cruelly refused to give us the smallest hint of it till his friend Walter appeared."

"Very provoking: it spoils the Set," murmured Sarah to herself, mournfully absorbed over the ruins of the broken cup.

While these words were being spoken, Pesca, happily and fussily unconscious of the irreparable wrong which the crockery had suffered at his hands, was dragging a large arm-chair to the opposite end of the room, so as to command us all three, in the character of a public speaker addressing an audience. Having turned the chair with its back towards us, he jumped into it on his knees, and excitably addressed his small congregation of three from an impromptu pulpit.

"Now, my good dears," began Pesca (who always said "good dears," when he meant "worthy friends"), "listen to me. The time has come-I recite my good news-I speak at last."

"Hear, hear!" said my mother, humouring the joke.

"The next thing he will break, mamma," whispered Sarah, "will be the back of the best arm-chair."

"I go back into my life, and I address myself to the noblest of created beings," continued Pesca, vehemently apostrophising my unworthy self, over the top rail of the chair. "Who found me dead at the bottom of the sea (through Cramp); and who pulled me up to the top; and what did I say when I got into my own life and my own clothes again?"

"Much more than was at all necessary," I answered, as doggedly as possible; for the least encouragement in connexion with this subject invariably let loose the Professor's emotions in a flood of tears.

"I said," persisted Pesca, "that my life belonged to my dear friend, Walter, for the rest of my days-and so it does. I said that I should never be happy again till I had found the opportunity of doing a good Something for Walter-and I have never been contented with myself till this most blessed day. Now," cried the enthusiastic little man at the top of his voice, "the overflowing happiness bursts out of me at every pore of my skin, like a perspiration; for on my faith, and soul, and honour, the Something is done at last, and the only word to say now, is-Right-all-right!"

It may be necessary to explain, here, that Pesca prided himself on being a perfect Englishman in his language, as well as in his dress, manners, and amusements. Having picked up a few of our most familiar colloquial expressions, he scattered them about over his conversation whenever they happened to occur to him, turning them, in his high relish for their sound and his general ignorance of their sense, into compound words and repetitions of his own, and always running them into each other, as if they consisted of one long syllable.

"Among the fine London houses where I teach the language of my native country," said the Professor, rushing into his long-deferred explanation without another word of preface, "there is one, mighty fine, in the big place called Portland. You all know where that is? Yes, yes-course-of-course. The fine house, my good dears, has got inside it a fine family. A Mamma, fair and fat; three young Misses, fair and fat; two young Misters, fair and fat; and a Papa, the fairest and the fattest of all, who is a mighty merchant, up to his eyes in gold-a fine man once, but seeing that he has got a naked head and two chins, fine no longer at the present time. Now mind! I teach the sublime Dante to the young Misses, and ah!-my-soul-bless-my-soul!-it is not in human language to say how the sublime Dante puzzles the pretty heads of all three! No matter-all in good time-and the more lessons the better for me. Now mind! Imagine to yourselves that I am teaching the Young Misses to-day, as usual. We are all four of us down together in the Hell of Dante. At the Seventh Circle-but no matter for that: all the Circles are alike to the three young Misses, fair and fat,-at the Seventh Circle, nevertheless, my pupils are sticking fast; and I to set them going again, recite, explain, and blow myself up red-hot with useless enthusiasm, when-a creak of boots in the passage outside, and in comes the golden Papa, the mighty merchant with the naked head and the two chins.-Ha! my good dears, I am closer than you think for to the business, now. Have you been patient, so far? or have you said to yourselves, 'Deuce-what-the-deuce! Pesca is long-winded to-night?' "

Textul de pe ultima copertă

Wilkie Collins was the master of the early detective story. This volume brings together for the first time three classic novels from his most productive period. The Woman in White (1860) is a tale of mystery and mistaken identity told by its various characters in turn. From the moment when a lovely young woman surprises Walter Hartwright in moonlit north London, Collins keeps the reader in suspense until the entire mesh of secrets is unwoven. In The Moonstone (1868) a fabulous yellow diamond disappears from the Verinders' country house in Yorkshire. Witnesses, suspects, and detectives all take up the story, and their narratives lead towards a melodramatic, unforeseeable conclusion. Valeria Woodville in The Law and the Lady (1875) must unravel the secrets of her husband's earlier life; she takes the law into her own hands and becomes one of the first woman detectives in fiction.