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The Yellow Wallpaper

Autor Charlotte Perkins Gilman Editat de Tony Darnell
en Limba Engleză Hardback – 1892
The Yellow Wallpaper (original title: "The Yellow Wall-paper. A Story") is a 6,000-word short story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental.

Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of exercise and air, so she can recuperate from what he calls a "temporary nervous depression - a slight hysterical tendency", a diagnosis common to women in that period. She hides her journal from her husband and his sister the housekeeper, fearful of being reproached for overworking herself. The room's windows are barred to prevent children from climbing through them, and there is a gate across the top of the stairs, though she and her husband have access to the rest of the house and its adjoining estate.

The story depicts the effect of understimulation on the narrator's mental health and her descent into psychosis. With nothing to stimulate her, she becomes obsessed by the pattern and color of the wallpaper. "It is the strangest yellow, that wall-paper It makes me think of all the yellow things I ever saw - not beautiful ones like buttercups, but old foul, bad yellow things. But there is something else about that paper - the smell ... The only thing I can think of that it is like is the color of the paper A yellow smell."

In the end, she imagines there are women creeping around behind the patterns of the wallpaper and comes to believe she is one of them. She locks herself in the room, now the only place she feels safe, refusing to leave when the summer rental is up. "For outside you have to creep on the ground, and everything is green instead of yellow. But here I can creep smoothly on the floor, and my shoulder just fits in that long smooch around the wall, so I cannot lose my way."
Source: Wikipedia
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Specificații

ISBN-13: 9781680920697
ISBN-10: 1680920693
Pagini: 22
Dimensiuni: 163 x 236 x 10 mm
Greutate: 0.21 kg
Editura: 12th Media Services

Descriere

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First appearing in 1892 The Yellow Wallpaper is a searing vision of a distinctively feminine form of madness and commands attention as an arresting tale of horror and a moving look into a woman's mind.

 

The story uncompromisingly thrusts the reader into the mind of the narrator. She is a woman forced, ostensibly for her own good, into a 'rest cure', a psychological straitjacket so constricting that she begins to unravel. Her mental dissolution is described with such fierce immediacy that The Yellow Wallpaper has been read and anthologized as a chilling horror tale. While it can easily be appreciated for its disorienting thrills, the story's true resonance comes from its matter-of-fact portrayal of a woman pushed to the rim of sanity by society's demands and her family's utter inability to conceive of the fact that she cannot fit within their strictures. Shot through with unforgettable images of the yellow wallpaper, its shadowy depths and what seems to lurk there, The Yellow Wallpaper builds to a climax that combines the narrative impact of an Edgar Allan Poe story with a wrenching protest of the treatment of women. Unique and genre-bending, Gilman's story was unrivaled in its era and its power endures undiminished today.

With an eye-catching new cover, and professionally typeset manuscript, this edition of The Yellow Wallpaper is both modern and readable.


Notă biografică

Charlotte Perkins Gilman (1860-1935), also known as Charlotte Perkins Stetson, her first married name, was a prominent American humanist, novelist, writer of short stories, poetry and nonfiction, and a lecturer for social reform. She was a utopian feminist and served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. She has been inducted into the National Women's Hall of Fame. Her best remembered works today are her semi-autobiographical short story The Yellow Wallpaper, which she wrote after a severe bout of postpartum psychosis; and Herland, the rediscovered feminist classic about a civilisation without men.