Theatre Blogging: The Emergence of a Critical Culture
Autor Megan Vaughanen Limba Engleză Paperback – 5 feb 2020
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Specificații
ISBN-13: 9781350068810
ISBN-10: 1350068810
Pagini: 280
Ilustrații: 10 bw illus
Dimensiuni: 169 x 244 x 19 mm
Greutate: 0.5 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
ISBN-10: 1350068810
Pagini: 280
Ilustrații: 10 bw illus
Dimensiuni: 169 x 244 x 19 mm
Greutate: 0.5 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
Caracteristici
Illuminates the theatre-making process, opening a window on to a changing theatrical landscape in a lively and engaging way
Notă biografică
Megan Vaughan is a writer and researcher currently based in Colchester, Essex. She is widely regarded as one of the most innovative and influential bloggers to have covered London theatre and her blog, Synonyms For Churlish, was active from 2008 until 2016. Now a PhD researcher at Royal Holloway, University of London, she is completing a thesis on amateur theatre criticism and the internet.
Cuprins
List of IllustrationsPrefaceAcknowledgements Part 1: history and practice 1. Introduction 2. Theatre blogging since 2003 - a history 3. Theatre blogging in practice - a WhatsApp dialogue 4. Theatre blogging under threat Part 2: selected posts 5. A note on the texts 6. Theatremaking and authorship 7. Anger and dissent 8. Reviews and reviewing9. Representation and visibility 10.On My Name Is Rachel Corrie 11.On Three KingdomsBiographies References Index
Recenzii
Fascinating ... This is an important and persuasive book which has certainly made me stop and think about my own brand, writing style and goals for future pieces. I heartily recommend it to critics and theatre bloggers at any stage in their careers, with the excerpts being reproduced being worth the purchase of the book alone.
[A] timely survey of online criticism . a stimulating snapshot before the bits and bytes melt into techno-oblivion.
I can't imagine there will ever be a more reliable history of the period ... [Megan Vaughan's] prose is delightfully light-footed.
The theatre blogosphere is a big and sometimes scary place. From its beginnings in 2003 in the diary entries of theatremakers and journalists, to the proliferation of online magazines and communities, to the formal experiments conducted by a new generation of web-literate, critically reflective thinkers, the community is a prolific and assertive and complexly multi-referential beast that can be difficult to navigate. Happily, Megan Vaughan - erstwhile Blogger of Renown, and a doctoral researcher into the subject - is the perfect guide.
[A] timely survey of online criticism . a stimulating snapshot before the bits and bytes melt into techno-oblivion.
I can't imagine there will ever be a more reliable history of the period ... [Megan Vaughan's] prose is delightfully light-footed.
The theatre blogosphere is a big and sometimes scary place. From its beginnings in 2003 in the diary entries of theatremakers and journalists, to the proliferation of online magazines and communities, to the formal experiments conducted by a new generation of web-literate, critically reflective thinkers, the community is a prolific and assertive and complexly multi-referential beast that can be difficult to navigate. Happily, Megan Vaughan - erstwhile Blogger of Renown, and a doctoral researcher into the subject - is the perfect guide.