Theatre@Risk: Diaries, Letters and Essays
Autor Michael Kustowen Limba Engleză Paperback – 9 mai 2001
For over thirty years Michael Kustow has been in the thick of innovative, international theatre. Passionate, combative and compelling, he tells us why we need live drama more than ever. Set against the extraordinary background of his efforts to produce Tantalus, a theatrical epic about the Trojan War, Kustow charts a story from the birth of the RSC to work with such pioneers as Jerzy Grotowski, Peter Brook and Théâtre de Complicité. Moving from memoir to argument, from close theory to personal portrait, the result is an urgent and powerful case for theatre in our age of global screens and networks, and a book that speaks to anyone who cares about the humanity of our 'wired world'. This paperback edition includes updated material on the production of Tantalus and the difficulties that surrounded the project.
"Rare is the book that transforms the personal experiences of a theatregoer into the testimony of a pulsating polemic and a cultural statement of significance. Writers such as George Bernard Shaw, Kenneth Tynan and Charles Marowitz have managed this trick. Now Kustow, who knew those last two pretty well, has done it himself" - Michael Coveney, Daily Mail
"It should be read by everyone who cares about our culture" - Simon Callow, Sunday Times
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Specificații
ISBN-13: 9780413766908
ISBN-10: 041376690X
Pagini: 304
Dimensiuni: 135 x 216 x 18 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Diaries, Letters and Essays
Locul publicării:London, United Kingdom
ISBN-10: 041376690X
Pagini: 304
Dimensiuni: 135 x 216 x 18 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Diaries, Letters and Essays
Locul publicării:London, United Kingdom
Descriere
Set
against
the
background
of
his
efforts
to
produce
"Tantalus",
Michael
Kustow
here
charts
a
story
from
the
birth
of
the
RSC
to
work
with
such
pioneers
as
Jerzy
Grotowski,
Peter
Brook
and
Theatre
de
Complicite.
The
book
presents
an
urgent
case
for
theatre
in
our
global
"wired
world".