Moscow Art Theatre Letters: Diaries, Letters and Essays
Editat de Jean Benedettien Limba Engleză Paperback – 10 dec 1995
The book contains the correspondences of the founders (Stanislavski and Nemirovich-Danchenko) and key talents (e.g. Chekhov, Gorki, Isadora Duncan) of the legendary Art Theatre, from its turn of the century origins through its first 40 years, as selected, edited, and translated with commentary by Benedetti.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 157.62 lei 6-8 săpt. | |
| Bloomsbury Publishing – 10 dec 1995 | 157.62 lei 6-8 săpt. | |
| Hardback (1) | 999.01 lei 6-8 săpt. | |
| Taylor & Francis – 6 sep 1991 | 999.01 lei 6-8 săpt. |
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Specificații
ISBN-13: 9780413698704
ISBN-10: 041369870X
Pagini: 400
Dimensiuni: 156 x 234 x 29 mm
Greutate: 0.57 kg
Ediția:Nouă
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Diaries, Letters and Essays
Locul publicării:London, United Kingdom
ISBN-10: 041369870X
Pagini: 400
Dimensiuni: 156 x 234 x 29 mm
Greutate: 0.57 kg
Ediția:Nouă
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Diaries, Letters and Essays
Locul publicării:London, United Kingdom
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Descriere
These letters, most of them translated into English for the first time, tell the inside story of the Moscow Art Theatre, which changed the face of 20th century acting. They include correspondence between such important figures as Stanislavski, Chekhov, Bulgakov, Meyerhold and Isadora Duncan.
Notă biografică
Jean Benedetti was until recently the Principal of the Rose Bruford College, one of Britain's leading drama schools. He is a playwright and translator and is the author of Stanislavski: An Introduction and Stanislavski: A Life. He is currently working on new translations of Stanislavski for the Collected Works (forthcoming, Routledge).
Recenzii
"The fragmentary history of the Moscow Art theatre in English is aided by this collection, containing previously untranslated correspondence." -- Choice
"Benedetti, biographer of Stanislavski, has done an excellent job of piecing together a gripping offstage drama." -- Publishers Weekly
"This extraordinary cache of letters only recently came to light in various Russian and international archives. Sixteen pages of black and white photos evoke dramatic moments in the history of this famed and influential theatre company." -- Playbill
"Letters composed by the Art Theatre's many legendary collaborators . . . are clearly and vividly rendered into contemporary English. . . . an absorbing documentary history. . . . Students of modern drama will find considerable food for thought in this rendering of a theater company's progress from birth to maturity." -- Anne Sharp, Library Journal
"It's the perfect form for a theatre book. The protagonists shout, weep, bellow, protest undying affection, plot behind each other's backs, and proclaim repeatedly that this absolutely, finally the end. It's as good as a play." -- The Globe and Mail
"Benedetti, biographer of Stanislavski, has done an excellent job of piecing together a gripping offstage drama." -- Publishers Weekly
"This extraordinary cache of letters only recently came to light in various Russian and international archives. Sixteen pages of black and white photos evoke dramatic moments in the history of this famed and influential theatre company." -- Playbill
"Letters composed by the Art Theatre's many legendary collaborators . . . are clearly and vividly rendered into contemporary English. . . . an absorbing documentary history. . . . Students of modern drama will find considerable food for thought in this rendering of a theater company's progress from birth to maturity." -- Anne Sharp, Library Journal
"It's the perfect form for a theatre book. The protagonists shout, weep, bellow, protest undying affection, plot behind each other's backs, and proclaim repeatedly that this absolutely, finally the end. It's as good as a play." -- The Globe and Mail
Cuprins
One: Prologue 1897; One: Beginnings; Two: The First Decade; Two: The First Season; Three: Uncle Vanya; Four: Three Sisters; Five: Petersburg; Six: Changes; Seven: Julius Caesar; Eight: The Cherry Orchard; Three: Dissension; Nine: Dissension; Ten: The Struggle for Control; Eleven: The Theatre and the System; Four: The Revolution and After; Twelve: America; Thirteen: Stalin