Theatre's Heterotopias: Performance and the Cultural Politics of Space: Contemporary Performance InterActions
Autor J. Tompkinsen Limba Engleză Hardback – 22 oct 2014
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Palgrave Macmillan UK – 22 oct 2014 | 381.87 lei 43-57 zile |
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Specificații
ISBN-13: 9781137362117
ISBN-10: 1137362111
Pagini: 231
Ilustrații: XI, 231 p.
Dimensiuni: 140 x 216 x 20 mm
Greutate: 0.45 kg
Ediția:2014
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Seria Contemporary Performance InterActions
Locul publicării:London, United Kingdom
ISBN-10: 1137362111
Pagini: 231
Ilustrații: XI, 231 p.
Dimensiuni: 140 x 216 x 20 mm
Greutate: 0.45 kg
Ediția:2014
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Seria Contemporary Performance InterActions
Locul publicării:London, United Kingdom
Cuprins
Introduction: Theatre, Space and World-making 1. Theatre and the Construction of Alternate Spaces 2. Heterotopia and Site-Specificity 3. Heterotopia, the National Theatre of Scotland, and 'Theatre without Walls' 4. Re-establishing Heterotopic Relationships at Shakespeare's Globe Theatre 5. Heterotopia and Multimedia Conclusion: Gaps, Absences, and Alternate Orderings Bibliography Index
Recenzii
“Theatre’s Heterotopias is a rigorous and disciplined study of a high scholarly standard, but it is also intelligent and flexible in its approach, combining extended intellectual work with rich experiential material. … book is an important and original, erudite but graceful contribution to theatre studies and all those variously involved in the theory and practice of the field, but it can also be used productively in other domains of spatial development and construction beyond the boundaries of theatre and performance.” (Elizabeth Sakellaridou, Journal of Contemporary Drama in English, Vol. 4 (2), November, 2016)
Notă biografică
Joanne Tompkins teaches Drama at the University of Queensland, Australia. She is author or co-author of Unsettling Space: Contestations in Contemporary Australian Theatre (2007); Women's Intercultural Performance; Post-Colonial Drama (2000); and co-editor of Performing Site-Specific Theatre: Politics, Place, Practice (Palgrave Macmillan, 2012). Her research addresses spatiality, the digital humanities, and theatre's engagement with cultural politics.