Theory for Theatre Studies: Space: Theory for Theatre Studies
Autor Kim Solga Susan Bennetten Limba Engleză Paperback – 6 feb 2019
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Specificații
ISBN-13: 9781350006065
ISBN-10: 1350006068
Pagini: 200
Dimensiuni: 129 x 198 x 14 mm
Greutate: 0.25 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Theory for Theatre Studies
Locul publicării:London, United Kingdom
ISBN-10: 1350006068
Pagini: 200
Dimensiuni: 129 x 198 x 14 mm
Greutate: 0.25 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Theory for Theatre Studies
Locul publicării:London, United Kingdom
Caracteristici
Features detailed case study readings balanced with assessments of important trends in theory and practice. These will benefit learners, but also scholars interested in quickly and efficiently understanding the history of the spatial turn
Notă biografică
Kim Solga is Professor of Theatre Studies and English and Writing Studies at Western University, Canada. Her books include A Cultural History of Theatre in The Modern Age (Methuen Drama, 2017), Theatre & Feminism (2015), Performance and the City (2009) and Performance and the Global City (2013), which together won the 2016 ATHE prize for Excellence in Editing, and Violence Against Women in Early Modern Performance (2009). She writes the teaching blog The Activist Classroom, available from Wordpress.
Cuprins
Acknowledgements Series Preface Introduction: Making Room for Space at the Theatre Locate Yourself The Way Ahead Section One: Methodologies and Approaches The Back Story: The Spaces of Classical Dramatic Theory Contemporary Lens #1: Theatre and the Production of Social Space Contemporary Lens #2: Genre and "Topographic" Space Contemporary Lens #3: The Heterotopic Stage Section Two: Extended Case Studies Case Study #1: 'And While London Burns' Case Study #2: 'Fräulein Julie' Case Study #3: 'The Shipment' Section Three: Towards a Decolonized Stage Locating Settler Colonialism Seeing Like a Settler "A Concert and a Conversation": 'Kiinalik - These Sharp Tools' Notes Further readingBibliographyIndex
Recenzii
Theory for Theatre Studies investigates a wide range of methodologies to corroborate longstanding discourse surrounding space, place, and performance. Solga uses this volume to examine how new understandings of theatrical and performance events can evolve from varying approaches to and in theatrical spaces. A self-proclaimed modern feminist, Solga is also author of Theatre and Feminism (2016) and Violence against Women in Early Modern Performance: Invisible Acts (2009). From speculative queries to in-depth case studies, the present title offers insight into historical dramatic theories and unpacks 20th-century theater trends. Summing Up: Recommended.
Lucid and compelling ... [Provides] an engaging and accessible synthesis of spatial theories that will make this book an essential addition to undergraduate curricula ... A valuable and timely contribution to research on performance space.
Kim Solga's Theory for Theatre Studies: Space offers new considerations of foundational twentieth-century cultural materialism and boldly takes on vital new discourses. In so doing, Solga reinserts the stakes and dynamizes the discussion of spatiality in twenty-first-century theatre and performance studies.
Solga's engaging synthesis of key spatial theories opens up provocative possibilities for better understanding space in and of the theatre. Vivid examples anchor her well-contextualised ideas on texts, venues, scenic design and politics.
A fluid and rigorous field-guide to an important and stimulating area of study: this book covers a great deal of territory, offers a lively and accessible account of a complex theme, and synthesises theory, theatre and analysis with wit, confidence and clarity.
Lucid and compelling ... [Provides] an engaging and accessible synthesis of spatial theories that will make this book an essential addition to undergraduate curricula ... A valuable and timely contribution to research on performance space.
Kim Solga's Theory for Theatre Studies: Space offers new considerations of foundational twentieth-century cultural materialism and boldly takes on vital new discourses. In so doing, Solga reinserts the stakes and dynamizes the discussion of spatiality in twenty-first-century theatre and performance studies.
Solga's engaging synthesis of key spatial theories opens up provocative possibilities for better understanding space in and of the theatre. Vivid examples anchor her well-contextualised ideas on texts, venues, scenic design and politics.
A fluid and rigorous field-guide to an important and stimulating area of study: this book covers a great deal of territory, offers a lively and accessible account of a complex theme, and synthesises theory, theatre and analysis with wit, confidence and clarity.