Thirty Years
Autor John Fraseren Limba Engleză Paperback – 31 mar 2016
The group, comprising therapists and entrepreneurs, including the novel's narrator - a cross between a mercenary and a pacifier - generate between them complicated and sometimes fantastic responses to the challenges facing them.
The war continues to reverberate, on an individual basis, but also in the wider context of economic recovery, religious radicalism, and commodity speculation.
Death and trauma continue, social and ideological cleavages deepen, but ultimately there is a hint that once the Thirty Years are up, the surviving characters may continue their lives back where it all began.
Thirty Years has echoes of the Thirty Years War, and of Brecht's Mother Courage. As Fraser's characters continue to commit crimes, financial and physical, the novel questions and reframes the essential issues of crime and punishment that have concerned humanity from the Bible and Koran, to Shakespeare, Dostoevsky and onwards into the future.
Toate formatele și edițiile | Preț | Express |
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Paperback (1) | 100.79 lei 3-5 săpt. | |
Aesop Publications – 31 mar 2016 | 100.79 lei 3-5 săpt. | |
Hardback (1) | 163.01 lei 6-8 săpt. | |
Aesop Publications – 31 mar 2016 | 163.01 lei 6-8 săpt. |
Preț: 100.79 lei
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Specificații
ISBN-13: 9781910301302
ISBN-10: 1910301302
Pagini: 240
Dimensiuni: 140 x 216 x 14 mm
Greutate: 0.31 kg
Editura: Aesop Publications
ISBN-10: 1910301302
Pagini: 240
Dimensiuni: 140 x 216 x 14 mm
Greutate: 0.31 kg
Editura: Aesop Publications
Notă biografică
John Fraser lives near Rome. Previously, he worked in England and Canada. Of Fraser's fiction the Whitbread Award winning poet John Fuller has written: 'One of the most extraordinary publishing events of the past few years has been the rapid, indeed insistent, appearance of the novels of John Fraser. There are few parallels in literary history to this almost simultaneous and largely belated appearance of a mature ¿uvre, sprung like Athena from Zeus's forehead; and the novels in themselves are extraordinary. I can think of nothing much like them in fiction. Fraser maintains a masterfully ironic distance from the extreme conditions in which his characters find themselves. There are strikingly beautiful descriptions, veiled allusions to rooted traditions, unlikely events half-glimpsed, abrupted narratives, surreal but somehow apposite social customs.'