Three Impostors; or, The Transmutations
Autor Arthur Machenen Limba Engleză Paperback – 16 dec 2022
Machen's work was deeply influenced by his childhood in Wales and his readings in the occult and metaphysics. He lived most of his life in poverty as a clerk, teacher, and translator. In 1902 he became an actor with Benson's Shakespearean Repertory Company. And, in 1912, approaching his 50th birthday, he joined the staff of the London Evening News.
The quality of Machen's writing was demonstrated early in World War I when the newspaper published the short story "The Angel of Mons" from The Bowmen and Other Legends of War (1915), which circulated widely as a true story and gave hope to thousands of soldiers in battle. Like Thomas Hardy, Machen responded to the spiritual power and antiquity of the British countryside. His fantasies are often set in medieval England or Wales, as in the autobiographical The Hill of Dreams (1907), which evokes ancient Roman forts and Welsh mysteries. Even his stories set in London are deeply romantic and nostalgic for a pre-industrial era. Other works include The Terror (1917), The Great God Pan and the Inmost Light (1894), Far Off Things (1922), and Things Near and Far (1923). Machen also translated Casanova's Memoirs (12 vol., 1930). (britannica.com)
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Specificații
ISBN-13: 9781554815043
ISBN-10: 1554815045
Pagini: 264
Dimensiuni: 140 x 216 x 13 mm
Greutate: 0.36 kg
Editura: BROADVIEW PR
ISBN-10: 1554815045
Pagini: 264
Dimensiuni: 140 x 216 x 13 mm
Greutate: 0.36 kg
Editura: BROADVIEW PR
Notă biografică
Arthur Machen (1863-1947) charted a lonely and curious course through literature. Though never widely known, his work in horror fiction has gained him an appreciation from a small circle of admirers over the years. Yet, as adept as he may have been in creating tales of horror, a careful study of his body of work illustrates there is more to explore and discover about the Welsh writer. At times, one finds a brilliant essayist or a pragmatic journalist, a gifted storyteller of mystery and fantasy, or a Christian apologist. Despite this breadth, Machen worked in an idiosyncratic style and kept doggedly to the theme which concerned him most: ecstasy as the highest purpose of art and that which is most beneficial to Man.