Tim Burton: The Monster and the Crowd: A Post-Jungian Perspective
Autor Helena Bassil-Morozowen Limba Engleză Paperback – 8 feb 2010
The book explores the idea that Burton’s lonely, rebellious ‘monstrous’ protagonists roam the earth because they are unable to fit into the normalising tendencies of society and become part of ‘the crowd’. Divided into six chapters the book considers the concept of the archetype in various settings focusing on:
- the child
- the monster
- the superhero
- the genius
- the maniac
- the monstrous society.
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Specificații
ISBN-13: 9780415489713
ISBN-10: 0415489717
Pagini: 216
Ilustrații: 1 line drawing
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.4 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415489717
Pagini: 216
Ilustrații: 1 line drawing
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.4 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate, Professional, Professional Practice & Development, and UndergraduateCuprins
Introduction. The Child. The Monster. The Superhero. The Genius. The Maniac. The Monstrous Society. Conclusion.
Notă biografică
Helena Bassil-Morozow has been teaching Film, Drama and Literature in various further education institutions and in private practice for over five years.
Recenzii
"Brilliantly confirms what we have been suspecting all along – that film studies drawing on Jungian psychology is a genuine advance, here to stay, and capable of extending itself across several generations of authors. Helena Bassil-Morozow approaches the key contemporary question of the relations between individual and crowd via a creative intermingling of a profound engagement with Burton's films and Jung's idea of individuation. The monster we meet in book and film sets off something massive in everyone – that's what this level of writing about the archetypal can do." - Andrew Samuels, University of Essex, UK
Descriere
This book employs Jungian and post-Jungian concepts of unconscious mental processes along with film semiotics, analysis of narrative devices and cinematic history; to explore the reworking of myth and fairytale in Burton's gothic fantasy world.