Tipping The Velvet: VMC

The heroine of Sarah Waters's audacious first novel knows her destiny, and seems content with it. Her place is in her father's seaside restaurant, shucking shellfish and stirring soup, singing all the while. "Although I didn't believe the story told to me by Mother--that they had found me as a baby in an oyster-shell, and a greedy customer had almost eaten me for lunch--for 18 years I never doubted my own oysterish sympathies, never looked beyond my father's kitchen for occupation, or for love." At night Nancy Astley often ventures to the nearby music hall, not that she has illusions of being more than an audience member. But the moment she spies a new male impersonator--still something of a curiosity in England circa 1888--her years of innocence come to an end and a life of transformations begins. Tipping the Velvet, all 472 pages of it, is as saucy, as tantalising, and as touching as the narrator's first encounter with the seductive but shame-ridden Miss Kitty Butler. And at first even Nancy's family is thrilled with her gender-bending pal, all bu Club isn't outre enough for her. Kitting Nancy out in full, elegant drag, she dares the front desk to turn them away. "We are here," she mocks, "for the sake of the irregular." Only after some seven years of hard twists and sensual turns does Nancy conclude that a life of sensation is not enough. Still, Tipping the Velvet is so entertaining that readers will wish her sentimental--and hedonistic--education had taken twice as long Kerry Fried, Amazon.com 'An unstoppable read, a sexy and picaresque romp through the lesbian and queer demi-monde of the roaring Nineties. Imagine Jeanette Winterson on a good day, collaborating with Judith Butler to pen a sapphic Moll Flanders. Could this be a new genre? The INDEPENDENT ON SUNDAY 'She is an extremely confident writer, combining precise, sensuous descriptions with irony and wit. Thisis a lively, gutsy, highly readable debut, probably destined to become a lesbian classic'

Laura Wade's plays include Posh (Royal Court Theatre and West End), Alice (Crucible Theatre, Sheffield), Kreutzer vs. Kreutzer (Globe Theatre, Sydney Opera House and Australian tour), Other Hands (Soho Theatre), Colder Than Here (Soho Theatre and MCC Theatre New York), Breathing Corpses (Royal Court Theatre), Catch (Royal Court Theatre, written with four other playwrights), Young Emma (Finborough Theatre), 16 Winters (Bristol Old Vic Basement) and Limbo (Crucible Studio Theatre, Sheffield). Films include The Riot Club. Awards include the Critics' Circle Award for Most Promising Playwright, the Pearson Best Play Award and the George Devine Award. Laura Wade's plays have been performed in the UK, USA, Australia, Ireland, Sweden, Norway, Germany and the Netherlands.