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Torn de Nathaniel Martello-White

Torn: Modern Plays

Autor Nathaniel Martello-White
en Limba Engleză Paperback – 6 sep 2016
Where you standing? I say where you standing on this? You think it happened or you don't think it happened?Generations of secrets have broken the Brook family.Siblings split-up, traded-off, treated differently.Angel, the youngest, has called a family meeting to sift through the wreckage. And she's not leaving until they've confronted the truth about how and why her family failed her.Torn by British playwright and actor Nathaniel Martello-White was published to coincide with its world premiere at the Royal Court Theatre Upstairs on 7 September 2016.
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Specificații

ISBN-13: 9781474292634
ISBN-10: 1474292631
Pagini: 128
Dimensiuni: 129 x 198 x 11 mm
Greutate: 0.13 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays

Locul publicării:London, United Kingdom

Caracteristici

Intense in its themes, virtuosic in its dialogue and experimental in its theatrical form, Torn offers a fascinating insight into the way truth and lies operate within one family's history

Notă biografică

Nathaniel Martello-White is a British actor and playwright. Best-known for his acting career, with credits including Joe Turner's Come And Gone and The Brothers Size at the Young Vic, as well as A Midsummer Night's Dream, City Madame, Marat/Sade (RSC), Innocence (Arcola) and Oxford Street (Royal Court), he has also written an anthology of poetry called A Western Nightmare. Blackta, Martello-White's first play, premiered at the Young Vic in 2012.

Recenzii

The play has many glories, not least its searing rhetoric, its unflinching honesty and its moments of sublime physical comedy ... This is not a parable of the acting profession or of some crushed racial minority. It's a story of everyday ambition, of life in the urban rat race, of perseverance triumphing over adversity. And it contains perhaps the finest, and funniest, speech about slavery I've heard.
Nathaniel Martello-White's debut play is concerned with more than just the various hurdles faced by black actors; it also encompasses broader themes of race, identity and masculinity. The play rattles along, a little bit like Beckett on amphetamines, presenting a frantic hamster wheel world in which its characters - named for their skin tone: black, brown, yellow - are forever being tested...The play has a lot to say and for much of the time it does so with humour and verve