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Tosca: Opern der Welt

Comentarii de Kurt Pahlen, Rosemarie König Autor Giacomo Puccini
en Limba Engleză Paperback – 30 noi 2010
Puccinis Oper "Tosca" lag ein Bühnenstück von Victorien Sardou zu Grunde, das der Komponist in Mailand mit der berühmten Schauspielerin Sarah Bernhardt gesehen hatte. Es handelt sich teilweise um eine historische Begebenheit zur Zeit Napoleons, um die Tragödie der namhaften Sängerin Floria Tosca. Nach vielen Bemühungen gelang es Puccini, Sardous Zustimmung für eine Oper mit diesem Inhalt zu bekommen, und 1900 fand in Rom die Uraufführung von "Tosca" statt - mit einem überwältigenden Erfolg für den Komponisten.Kurt Pahlen stellt dem italienischen Text die an deutschen Bühnen vielfach verwendete Übertragung des Librettos gegenüber und begleitet das musikalische und das äußere und innere dramatische Geschehen der Oper mit Hinweisen zu kompositorischer Struktur und Sinnzusammenhang. Eine kurze Inhaltsangabe, ein Abriss der Entstehungsgeschichte, Ausführungen zu Stoff und Geschichte stellen das Werk in einen Zusammenhang mit dem Gesamtschaffen des Komponisten und seiner Biographie und bieten eine umfassende, reich illustrierte Einführung.
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Specificații

ISBN-13: 9783254080141
ISBN-10: 3254080149
Pagini: 288
Ilustrații: Mit Abb. u. Notenbsp.
Dimensiuni: 120 x 188 x 20 mm
Greutate: 0 kg
Ediția:Nachdruck.
Editura: Schott
Seria Opern der Welt


Cuprins

Zur Aufführung - Kompletter Text mit musikalischen Erläuterungen - Inhaltserzählung - Was ist historisch in der Oper "Tosca"? - Zur Geschichte der Oper "Tosca" - Anmerkungen und Gedanken zu "Tosca" - Kurze Biographie Puccinis - Die Opern Puccinis - Diskographie

Notă biografică

Giacomo Puccini (1858-1924) was born in Lucca into a family of musicians and composers. His operas, which include Tosca, La Bohème, Madama Butterfly and Turandot, are among the most frequently performed in the international repertory.

Recenzii

These guides, so beautiful to have and to behold, mark a huge advance on their predecessors. I find them essential supplements, not only to ENO and Royal Opera programmes, but to recordings issued on CD which often come without scholarly documentation and a libretto. The performance histories - of which I wrote one myself - are especially valuable, and not easily accessible elsewhere.
For anyone with a keen interest in opera, whatever their level of knowledge, this series remains a benchmark of quality and clarity. The content is serious, reliable and trustworthy, handsomely put together, full of variety and scholarship but always making the practical experience of going to the opera a priority. I return to these volumes again and again and find the updated and new issues absolutely invaluable.
This uniformly excellent series is indispensable for the serious opera lover, all the more so now that almost all the CD companies have abandoned issuing a libretto with their opera releases, and have such scant background information. The English translations are on facing pages with the original texts, and in all respects the books are helpful and compact, and interestingly illustrated.
I am delighted to see the return of the ENO Opera Guides, bigger and even more authoritative than before. There are authoritative new articles as well as several of the irreplaceable originals, the presentation is very handsome and a decided gain is the brilliantly chosen selection of production images, in colour as well as black and white. The Guides are an invaluable reference for opera lovers at any level.