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Transnational Perspectives on Graphic Narratives: Comics at the Crossroads de Dr Daniel Stein

Transnational Perspectives on Graphic Narratives: Comics at the Crossroads

Editat de Dr Daniel Stein, Dr Shane Denson, Dr Christina Meyer
en Limba Engleză Paperback – 24 sep 2014
This book brings together an international group of scholars who chart and analyze the ways in which comic book history and new forms of graphic narrative have negotiated the aesthetic, social, political, economic, and cultural interactions that reach across national borders in an increasingly interconnected and globalizing world. Exploring the tendencies of graphic narratives - from popular comic book serials and graphic novels to manga - to cross national and cultural boundaries, Transnational Perspectives on Graphic Narratives addresses a previously marginalized area in comics studies. By placing graphic narratives in the global flow of cultural production and reception, the book investigates controversial representations of transnational politics, examines transnational adaptations of superhero characters, and maps many of the translations and transformations that have come to shape contemporary comics culture on a global scale.
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Specificații

ISBN-13: 9781472587589
ISBN-10: 1472587588
Pagini: 256
Dimensiuni: 156 x 234 x 17 mm
Greutate: 0.44 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom

Caracteristici

The first comprehensive survey of transnational perspectives on comics and graphic novels.

Notă biografică

Shane Denson is Assistant Professor/Post-Doc Research Associate in American Studies at Leibniz Universität Hannover, Germany. He has published on a range of topics in film and media studies. Christina Meyer is Assistant Professor/Post-Doc Research Associate in American Studies at Leibniz Universität Hannover, Germany. She is the author of War and Trauma Images in Vietnam War Representations (2008).Daniel Stein is Assistant Professor/Post-Doc Research Associate at the John-F.-Kennedy Institute for North American Studies, Freie Universität Berlin, Germany. He is the author of Music Is My Life: Louis Armstrong, Autobiography, and American Jazz (2012) and co-editor of From Comic Strips to Graphic Novels: Contributions to the Theory and History of Graphic Narrative (2013).

Cuprins

Notes on the ContributorsForeword, John A. LentIntroducing Transnational Perspectives on Graphic Narratives: Comics at the Crossroads, Shane Denson, Christina Meyer, Daniel Stein Part I: Politics and Poetics1) Not Just a Theme: Transnationalism and Form in Visual Narratives of U.S. Slavery, Michael A. Chaney2) Transnational Identity as Shape-shifting: Metaphor and Cultural Resonance in Gene Luen Yang's American Born Chinese, Elisabeth El Refaie3) Cosmopolitan Suspicion: Comics Journalism and Graphic Silence, Georgiana Banita4) Staging Cosmopolitanism: The Transnational Encounter in Joe Sacco's Footnotes in Gaza, Aryn Bartley5) "Trying to Recapture the Front": A Transnational Perspective on Hawaii in R. Kikuo Johnson's Night Fisher, Iris-Aya Laemmerhirt6) Folding Nations, Cutting Borders: Transnationalism in the Comics of Warren Craghead III, Daniel WüllnerSection II: Transnational and Transcultural Superheroes7) Batman Goes Transnational: The Global Appropriation and Distribution of an American Hero, Katharina Bieloch and Sharif Bitar8) Spider-Man India: Comic Books and the Translating/Transcreating of American Cultural Narratives, Shilpa Davé9) Of Transcreations and Transpacific Adaptations: Investigating Manga Versions of Spider-Man, Daniel Stein10) Warren Ellis: Performing the Transnational Author in the American Comics Mainstream, Jochen Ecke11) "Truth, Justice, and the Islamic Way": Conceiving the Cosmopolitan Muslim Superhero in The 99, Stefan MeierSection III: Translations, Transformations, Migrations 12) Lost in Translation: Narratives of Transcultural Displacement in the Wordless Graphic NovelFlorian Groß13) Hard-Boiled Silhouettes: Transnational Remediation and the Art of Omission in Frank Miller's Sin City, Frank Mehring14) The "Big Picture" as a Multitude of Fragments: Jason Lutes's Depiction of Weimar Republic Berlin, Lukas Etter15) "Scott Pilgrim Gets It Together": The Cultural Crossovers of Bryan Lee O'Malley, Mark Berninger16) A Disappointing Crossing: The North American Reception of Asterix and Tintin, Jean-Paul Gabilliet AfterwordFraming, Unframing, Reframing: Retconning the Transnational Work of Comics, Shane DensonIndex

Recenzii

Transnational Perspectives on Graphic Narratives offers a wealth of concepts and perspectives for the study of the transnational in comics research . [and] signals the arrival of the 'transnational turn' in comics studies.
This useful and penetrating collection of essays by a suitably international array of scholars seeks, in the words of its editors, to 'chart the ways in which graphic narratives have been shaped by aesthetic, social, political, economic and cultural interactions that reach across national boundaries in an interconnected and globalizing world'. It does that and more, presenting sixteen insightful analyses situating the practice and circulation of graphic narrative within a 'global flow' of cultural processes that privileges hybridity and the porousness of borders ... The contributions, by specialists in English, American studies, media studies and communications, are consistently illuminating and well written ... Transnational Perspectives on Graphic Narratives advances avery welcome interdisciplinary, cross-border perspective to the study of graphic narrative.
Transnational Perspectives on Graphic Narratives is an essential volume for both comics scholars and scholars of literature in general, because it places the most popular emerging medium in conversation with cutting-edge contemporary scholarship, and makes a strong case for the ways in which comics are necessary in considerations of a transnational, cosmopolitan 21st century world.