Transnational Screens: Expanding the Borders of Transnational Cinema
Editat de Armida De La Garza, Ruth Doughty, Deborah Shawen Limba Engleză Hardback – 3 mar 2020
The introduction reflects on the changing ways in which film is produced, distributed and consumed with the emergence of streamed content providers. Each chapter expands on previous scholarship and interrogates key areas of transnational cinema. Taken together they revisit key concepts of transnational cinema; explore the relationship between transnational and world cinema; analyse performances of cosmopolitanism; examine exoticism and nostalgia in contemporary transnational cinema; present the ‘rooted transnationalism’ of Moroccan diasporic filmmakers; reflect on how films from around the world convey ‘foreignness’; consider cross border solidarity and collaboration behind transnational talent development; explore transnational film eco-criticism from the perspectives of governance and aesthetics; and reflect on the changing nature of transnational screen studies through the concept of second phase transnationalism.
Written by leading scholars, this book looks at the key developments in the field of transnational film and screen studies. The chapters were originally published as a special issue of the journal, Transnational Screens.
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Specificații
ISBN-13: 9780367477158
ISBN-10: 0367477157
Pagini: 144
Dimensiuni: 174 x 246 x 10 mm
Greutate: 0.66 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 0367477157
Pagini: 144
Dimensiuni: 174 x 246 x 10 mm
Greutate: 0.66 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
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Public țintă
Postgraduate and UndergraduateCuprins
Introduction: From transnational cinemas to transnational screens 1. Concepts of transnational cinema revisited 2. Transnational turn or turn to world cinema? 3. Performing cosmopolitanism: Julie Delpy and Ethan Hawke in Richard Linklater’s ‘before’ trilogy 4. ‘The past is a foreign country’: exoticism and nostalgia in contemporary transnational cinema 5. The ontological transnationalism of the filmmaker: solidarity-based talent development across borders 6. Moroccan diasporic cinema: the ‘rooted transnationalism’ of the cinéastes de passage 7. Close encounters with foreignness 8. Eco-critique as transnational commons 9. Second phase transnationalism: reflections on launching the SCMS transnational cinemas scholarly interest group
Notă biografică
Dr Armida de la Garza is Senior Lecturer in Digital Arts and Humanities at University College Cork, Ireland. She is interested in research on internationalisation in higher education; on Screen Media and their relation to culture, industry and education; and on collaborative, interdisciplinary research that bridges the gap between science and the arts.
Deborah Shaw is Professor of Film and Screen Studies at the University of Portsmouth. Her research interests include transnational film theory, Latin American cinema, and film and migration, and she has published widely in these areas.
Dr Ruth Doughty is the Programme Leader for Film Studies at Liverpool John Moores University. She is the co-author of Understanding Film Theory (2017). Ruth is the Principal Investigator on a Lottery Funded project looking at the history of Littlewoods in Liverpool.
Armida, Deborah, and Ruth are the co-founding editors of Transnational Cinemas, now Transnational Screens.
Dr Ruth Doughty is the Programme Leader for Film Studies at Liverpool John Moores University. She is the co-author of Understanding Film Theory (2017). Ruth is the Principal Investigator on a Lottery Funded project looking at the history of Littlewoods in Liverpool.
Armida, Deborah, and Ruth are the co-founding editors of Transnational Cinemas, now Transnational Screens.
Descriere
This book marks the 10th anniversary of the Routledge journal Transnational Screens. Written by leading scholars, this book looks at the key developments in the field of transnational film and screen studies. The chapters were originally published as a special issue of the journal, Transnational Screens.