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'Trash,' Censorship, and National Identity in Early Twentieth-Century Germany

Autor Kara L. Ritzheimer
en Limba Engleză Hardback – 23 iun 2016
Convinced that sexual immorality and unstable gender norms were endangering national recovery after World War One, German lawmakers drafted a constitution in 1919 legalizing the censorship of movies and pulp fiction, and prioritizing social rights over individual rights. These provisions enabled legislations to adopt two national censorship laws intended to regulate the movie industry and retail trade in pulp fiction. Both laws had their ideological origins in grass-roots anti-'trash' campaigns inspired by early encounters with commercial mass culture and Germany's federalist structure. Before the war, activists characterized censorship as a form of youth protection. Afterwards, they described it as a form of social welfare. Local activists and authorities enforcing the decisions of federal censors made censorship familiar and respectable even as these laws became a lightning rod for criticism of the young republic. Nazi leaders subsequently refashioned anti-'trash' rhetoric to justify the stringent censorship regime they imposed on Germany.
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Specificații

ISBN-13: 9781107132047
ISBN-10: 1107132045
Pagini: 326
Dimensiuni: 160 x 236 x 22 mm
Greutate: 0.58 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:New York, United States

Cuprins

Introduction: censorship in the Rechtsstaat, censorship in the Sozialstaat; 1. Buffalo Bill in Germany: regional encounters with commercial culture before WWI; 2. Federalism and censorship: regulating commercial fiction and movies in Imperial Germany; 3. Censorship in the Rechtsstaat: anti-'trash' rhetoric and national identity in Imperial Germany; 4. Censorship and 'trash' in wartime Germany; 5. Censorship in the Sozialstaat: Weimar's film and publications laws; 6. Censorship, morality, and national identity in Weimar Germany; Epilogue; Bibliography; Index.

Recenzii

'Ritzheimer's ['Trash', Censorship, and National Identity in Early Twentieth-Century Germany] is a multifaceted, well-researched book that has much to offer scholars of widely varying interests. And her larger argument - that 'anti-'trash' activists … paved a rhetorical path … even an emotional one' to the far more brutal censoriousness of the National Socialist regime - is sobering.' David Ciarlo, American Historical Review
'… this is a wellwritten and researched work that makes several important contributions to our understanding of German history in the early twentieth century.' Jason Phillips, European History Quarterly

Notă biografică


Descriere

A legal and cultural history of censorship, youth protection, and national identity in early twentieth-century Germany.