Tristram of Blent
Autor Anthony Hopeen Limba Engleză Paperback – 21 dec 2021
Mr Jenkinson Neeld was an elderly man of comfortable private means; he had chambers in Pall Mall, close to the Imperium Club, and his short stoutish figure, topped by a chubby spectacled face, might be seen entering that dignified establishment every day at lunch time, and also at the hour of dinner on the evenings when he had no invitation elsewhere. He had once practised at the Bar, and liked to explain that he had deserted his profession for the pursuit of literature. He did not, however, write on his own account; he edited. He would edit anything provided there was no great public demand for an edition of it. Regardless of present favor, he appealed to posterity - as gentlemen with private means are quite entitled to do. Perhaps he made rather high demands on posterity; but that was his business - and its. At any rate his taste was curious and his conscience acute. He was very minute and very scrupulous, very painstaking and very discreet, in the exercise of his duties. Posterity may perhaps like these qualities in an editor of memoirs and diaries; for such were Mr Neeld's favorite subjects. Sometimes he fell into a sore struggle between curiosity and discretion, having impulses in himself which he forbore to attribute to posterity.
He was in just such a fix now - so he thought to himself - as he perused the manuscript before him.
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Specificații
ISBN-13: 9781715222970
ISBN-10: 1715222970
Pagini: 394
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.58 kg
Editura: Blurb
ISBN-10: 1715222970
Pagini: 394
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.58 kg
Editura: Blurb
Notă biografică
Sir Anthony Hope Hawkins, better known as Anthony Hope (1863 - 1933), was an English novelist and playwright. He was a prolific writer, especially of adventure novels but he is remembered predominantly for only two books: The Prisoner of Zenda (1894) and its sequel Rupert of Hentzau (1898). These works, "minor classics" of English literature, are set in the contemporaneous fictional country of Ruritania and spawned the genre known as Ruritanian romance, works set in fictional European locales similar to the novels. Zenda has inspired many adaptations, most notably the 1937 Hollywood movie of the same name.