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Troubled Everyday de Alison Taylor

Troubled Everyday

Autor Alison Taylor
en Limba Engleză Hardback – 29 apr 2017
Extreme violence in contemporary European art cinema is generally interpreted for its affective potential, but what about the significance of the everyday that so often frames and forms the majority of these films? Why do the sudden moments of violence that punctuate films like Catherine Breillat's Fat Girl (2001), Gaspar Noe's Irreversible (2002) and Markus Schleinzer's Michael (2011) seem so reliant on everyday routines and settings for their impact? Addressing these questions through a series of case-studies, and considering notorious films in their historical and philosophical context, Troubled Everyday offers the first detailed examination of the relationship between violence and the everyday in European art cinema. It calls for a re-evaluation of what gives these films such affective force, and such a prolonged grip on our imagination.

Case Studies include:
Salo or the 120 Days of Sodom (Pasolini 1975)
Money (Bresson 1983)
Come and See (Klimov 1985)
The Seventh Continent (Haneke 1989)
I Stand Alone (Noe 1998)
Fat Girl (Breillat 2001)
Irreversible (Noe 2002)
Twentynine Palms (Dumont 2003)
Michael (Schleinzer 2011)

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  EDINBURGH UNIVERSITY PRESS – 29 apr 2017 55662 lei  3-5 săpt.

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Specificații

ISBN-13: 9781474415224
ISBN-10: 1474415229
Pagini: 192
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.76 kg
Editura: EDINBURGH UNIVERSITY PRESS

Descriere

Troubled Everyday offers the first detailed examination of the relationship between violence and the everyday in European art cinema. It calls for a re-evaluation of what gives these films such affective force, and such a prolonged grip on our imagination.

Cuprins

Acknowledgments
List of figures
Chapter One: 'A lightning that illuminates the banal': Violence and the Everyday
From extremism to everyday
Approaching Disturbing Aesthetics
Chapter Two: Everyday Moments
Discourse of immediacy
Towards the everyday
Salò
Come and See
Chapter Three: Everyday Style
 Reframing Everyday Style
Style Versus Content in Money and The Seventh Continent
Everyday Style and the 'Fruitful Ambivalence' of the Ordinary
Chapter Four: Everyday Structures / Everyday Language
 Fat Girl, Twentynine Palms, and the Critics
Authorial personas
Generic expectations and generic breaks
Orientation beyond genre
Twentynine Palms
Fat Girl
Chapter Five: Return to the Everyday
 Everyday Time
I Stand Alone
Michael
Conclusion: Looking Back
Mourning the world: the everyday as transcendent, the everyday as lost in Irreversible
Works Cited
Filmography