Twelfth Night: Wordsworth Classics

Autor William Shakespeare Editat de Cedric Watts, Keith Carabine

Notă: 5.00 · o notă

en Limba Engleză Paperback – 30 apr 1992

Edited, Introduced and Annotated by Cedric Watts, Research Professor of English, University of Sussex.

The Wordsworth Classics' Shakespeare's Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal.

Variously melancholy, lyrical, joyous and farcical, Twelfth Night has long been a popular comedy with Shakespearian audiences. The main plot revolves around mistaken identities and unrequited love. Both Olivia and Orsino are attracted to Viola, who is disguised as a young man; and Viola’s brother, Sebastian, finds that he is loved not only by Antonio but also by Olivia.

Meanwhile, in the comic sub-plot, Sir Toby Belch and his companions outwit the vain Malvolio, who is ludicrously humiliated. While offering broad comedy, Twelfth Night teasingly probes gender-roles and sexual ambiguities.

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Specificații

ISBN-13: 9781853260100
ISBN-10: 185326010X
Pagini: 128
Dimensiuni: 126 x 197 x 7 mm
Greutate: 0.07 kg
Editura: Wordsworth Editions
Seria Wordsworth Classics

Locul publicării:United Kingdom

Descriere

Edited, Introduced and Annotated by Cedric Watts, Research Professor of English, University of Sussex.

Textul de pe ultima copertă

This volume includes the text of Twelfth Night as prepared and annotated by David Swain for The Broadview Anthology of British Literature, and is accompanied by the excellent introduction and supplementary materials from the anthology. The diverse and extensive appendices acquaint readers with Shakespeare's sources and contextualize the play within Elizabethan society. The appendices include an excerpt from Barnabe Riche's "Of Apollonius and Silla," Shakespeare's primary source of inspiration for the play; selections from Galen, Plato, and others illustrating Elizabethan attitudes toward gender and sexuality; excerptions illuminating contemporary moral discomfort with the theatre, such as Philip Stubbes's "Of Stage-plays and Interludes, with their wickedness"; and pieces on music and duelling that illustrate cultural conventions important to the interpretation of Twelfth Night.

This is one of several Broadview Anthology of British Literature Editions being released this year; those wishing to teach the text will have the option of including the convenient stand-alone book as part of a specially-priced shrink-wrapped package together with a volume of the anthology.

Notă biografică

William Shakespeare (bapt. 26 April 1564 - 23 April 1616) was an English playwright, poet, and actor, widely regarded as the greatest writer in the English language and the world's greatest dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, two long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. They also continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. At age 49 (around 1613), he appears to have retired to Stratford, where he died three years later. Few records of Shakespeare's private life survive; this has stimulated considerable speculation about such matters as his physical appearance, his sexuality, his religious beliefs, and whether the works attributed to him were written by others. Shakespeare produced most of his known works between 1589 and 1613.His early plays were primarily comedies and histories and are regarded as some of the best work produced in these genres. Until about 1608, he wrote mainly tragedies, among them Hamlet, Romeo and Juliet, Othello, King Lear, and Macbeth, all considered to be among the finest works in the English language. In the last phase of his life, he wrote tragicomedies (also known as romances) and collaborated with other playwrights. Many of Shakespeare's plays were published in editions of varying quality and accuracy in his lifetime. However, in 1623, two fellow actors and friends of Shakespeare's, John Heminges and Henry Condell, published a more definitive text known as the First Folio, a posthumous collected edition of Shakespeare's dramatic works that included all but two of his plays. The volume was prefaced with a poem by Ben Jonson, in which Jonson presciently hails Shakespeare in a now-famous quote as "not of an age, but for all time".

Caracteristici

Leading actor Simon Russell Beale is one of three distinguished Series Editors who have developed the series

Cuprins

About the Series

About This Volume

List of Illustrations

Introduction

PART ONE:
WILLIAM SHAKESPEARE, TWELFTH NIGHT, OR WHAT YOU WILL
EDITED BY DAVID BEVINGTON

PART TWO:
Cultural Contexts

1. Romance
Sir Benjamin Rudyerd, From Le Prince d'Amour, or The Prince of Love
Place
George Sandys, From A Relation of a Journey Begun Anno Domini 1610
Roger Ascham, From The Schoolmaster
Barnaby Rich, From Barnaby Rich His Farewell to the Military Profession
Time
From The Book of Common Prayer
Henry Bourne, From Antiquitates Vulgares, or the Antiquities of the Common People

2. Music
Musical Resources
Aristotle (Attributed), From The Problems of Aristotle, with Other Philosophers and Physicians
Anthony Gibson, From A Woman's Worth Defended Against All the Men in the World
Mind and Bodies
Ovid, from Ovid's Metamorphosis Englished, Mythologized, and Represented in Figures
Plutarch, From Lives of the Noble Grecians and Romans Compared Together
John Case (Attributed), From The Praise of Music
Thomas Wright, From The Passions of the Mind in General

3. Sexuality
Will and Passion
William Shakespeare, from Shake-spear's Sonnets, Never Before Imprinted
Heart, Soul, and Genitalia
Thomas Wright, From The Passions of the Mind in General
Helkiah Crooke, From Microcosmographia: A Description of the Body of Man
Ovid, From The Heroical Epistles of Publius Ovidius Naso in English Verse
John Donne, Sappho to Philaenis
John Lyly, From Gallathea
From The Whole Volume of Statutes at Large and Sir Edward Coke, From The Third Part of the Institutes of the Laws of England
Michel de Montaigne, From Essays
Francis Beaumont, from Salmacis and Hermaphroditus

4. Clothing and Disguise
From Of Excess of Apparel
Edward Alleyn and Philip Henslowe, An Inventory of Costumes
Social Rank
A Proclamation Enforcing Statutes and Proclamations of Apparel,
Robert Greene, from A Quip for an Upstart Courtier
I. T. (or J. T.), from The Haven of Pleasure Containing a Direction How to Live Well
Gender
Sir Philip Sidney, from Arcadia
From Hic Mulier, or The Man-Woman and From Haec-Vir, or The Womanish Man
Eight Accounts of Boy Actors

5. Household Economies
Decorum
Stephano Guazzo, From Civil Conversation
William Vaughan, From The Golden Grove Moralized in Three Books
Traditional Hospitality
Ben Jonson, To Penshurst
From Grievous Groans for the Poor
Donald Lupton, From London and the Country Cardonadoed and Quartered into Several Characters
Puritan Ideals
I. T. (or J. T.), From The Haven of Pleasure, Containing a Free Man's Felicity and a True Direction How to Live Well
William Perkins, From Christian Economy
Alternative Households
William Prynne, from Histrio-Mastix, The Players' Scourge or Actors' Tragedy
Augustine Phillips, Last Will and Testament

6. Puritan Probity
Sir Thomas Overbury, From A Wife . . . Whereunto Are Added Many Witty Characters
Religion
William Bradshaw, from English Puritanism
Richard Bancroft, from A Survey of the Pretended Holy Discipline
Economics
Robert Cleaver and John Dod, From A Godly Form of Household Government
The Politics of Mirth
Phillip Stubbes, from The Anatomy of Abuses in Ailgna
James I and Charles I. The King's Majesty's Declaration to His Subjects Concerning Lawful Sports to be Used

7. Clowning and Laughter
Quintilian, from Institutio Oratoria
Robert Armin's Career
Robert Armin, From Fool upon Fool, or Six Sorts of Sots
Robert Armin, From Quips upon Questions, or A Clown's Conceit on Occasion Offered
Theories of Laughter
Plato, from Philebus
Plato, from Republic
Aristotle, from Nicomachean Ethics
Giovanni della Casa, From Galateo . . . or rather A Treatise of the Manners and Behaviors It Behooveth a Man to Use and Eschew
Quintilian, from Institutio Oratoria
Laurent Joubert, From Treatise on Laughter
Sir Philip Sidney, From A Defense of Poesy

Bibliography

Index

Recenzii

'Brings together into one volume a wealth of textual, bibliographical, and critical scholarship...emplifies scholarly achievement...'
''The editorial goals of the Arden project are ably met in this edition. Elam's...astounding knowledge of elements of performance make this edition a must-read...A wealth of textual, bibliographical, and critical scholarship; a variety of background materials; helpful images and charts; and information and analysis concerning stage and film performances. The introduction exemplifies scholarly achievement...Magisterial footnotes.'

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