Understanding Records, Second Edition: A Field Guide to Recording Practice
Autor Dr. Jay Hodgsonen Limba Engleză Paperback – 24 iul 2019
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Specificații
ISBN-13: 9781501342370
ISBN-10: 1501342371
Pagini: 248
Ilustrații: 75 bw illus
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.41 kg
Ediția:2
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501342371
Pagini: 248
Ilustrații: 75 bw illus
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.41 kg
Ediția:2
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Easy to understand explanations of each facet of the record production process, which avoid technical jargon where possible, and which explain terminology when technical terms cannot be avoided
Notă biografică
Jay Hodgson is Associate Professor of Popular Music Studies at Western University, Canada. He is author or editor of numerous books, including Audio Mastering: The Artists (with Russ Hepworth-Sawyer, 2018) and Mixing Music (with Russ Hepworth-Sawyer, 2016). He was awarded a Governor General's Academic Gold Medal in 2006, primarily in recognition of his research on recording practice. He has mastered two records nominated for Juno awards, and contributed music to films recognized by the likes of Rolling Stone and which screened at the United Nations General Assembly.
Cuprins
IntroductionChapter One: TrackingChapter Two: Signal ProcessingChapter Three: MixingChapter Four: MasteringChapter Five: Coda
Recenzii
Unique and recommended ... First, it is a comprehensive resource to the practical elements of music production. Second, information is presented and illustrated in a style easily comprehensible to those with no previous knowledge. Third, Hodgson presents the recording process in chronological steps, each sub-divided into easily understood facets. Finally, everything is explained using accessible language that clarify the associated terminology and/or technology ... A worthy read and listen, both engaging and informative.
This diminutive 200-page text (first edition, 2010) offers more audio recording tips and techniques than publications four times its size. Hodgson (Western Univ., Canada), an experienced audio recordist and talented musician, provides in-depth, easy-to-understand explanations of the complexities of audio recording and mixing . Everyone interested in studio or audio production, whether at high school or college level, needs this excellent book. Summing Up: Highly recommended. All readers.
Understanding Records, Second Edition takes a very unique look at recording practice, and how to communicate what we hear when we listen to music. It breaks down and explores this extremely important part of music making like no other resource has done before, making this an invaluable field guide that everyone should read to take their skills in understanding music, and recording, to the next level!
Understanding Records provides a comprehensive toolbox for the listener who wishes to gain a deeper understanding of the processes that inform the construction of musical recordings and the factors that lie behind the effect they make. Now in a revised second edition, Hodgson's accessible and highly readable exposition of recording practice remains a valuable resource for professional recordists and educators alike, as well as a great primer in music production for the generally interested reader.
There are certain texts in the field of music production analysis and pedagogy that lift the lid, so to speak, on the expected wisdom of a standardised train of thought. Hodgson's updated book is exactly this. Whilst it does provide the reader some technical background in the field we work in, it draws upon, analyses, and portrays a vast array of different contemporary academic and professional thoughts and considerations. The author's views express the musical artefact, the record, in a unique way and engaging way as a backdrop for the work. In this edition, the production process is totally updated with some excellent discussions around issues of our day such as loudness normalisation delivery and distribution. To those wishing to learn about the philosophy, not just the technology of record production, and to engage in meaningful discussion around the topic of the recorded medium, then this book isn't just a field guide, it's a mandatory thought provoker!
This diminutive 200-page text (first edition, 2010) offers more audio recording tips and techniques than publications four times its size. Hodgson (Western Univ., Canada), an experienced audio recordist and talented musician, provides in-depth, easy-to-understand explanations of the complexities of audio recording and mixing . Everyone interested in studio or audio production, whether at high school or college level, needs this excellent book. Summing Up: Highly recommended. All readers.
Understanding Records, Second Edition takes a very unique look at recording practice, and how to communicate what we hear when we listen to music. It breaks down and explores this extremely important part of music making like no other resource has done before, making this an invaluable field guide that everyone should read to take their skills in understanding music, and recording, to the next level!
Understanding Records provides a comprehensive toolbox for the listener who wishes to gain a deeper understanding of the processes that inform the construction of musical recordings and the factors that lie behind the effect they make. Now in a revised second edition, Hodgson's accessible and highly readable exposition of recording practice remains a valuable resource for professional recordists and educators alike, as well as a great primer in music production for the generally interested reader.
There are certain texts in the field of music production analysis and pedagogy that lift the lid, so to speak, on the expected wisdom of a standardised train of thought. Hodgson's updated book is exactly this. Whilst it does provide the reader some technical background in the field we work in, it draws upon, analyses, and portrays a vast array of different contemporary academic and professional thoughts and considerations. The author's views express the musical artefact, the record, in a unique way and engaging way as a backdrop for the work. In this edition, the production process is totally updated with some excellent discussions around issues of our day such as loudness normalisation delivery and distribution. To those wishing to learn about the philosophy, not just the technology of record production, and to engage in meaningful discussion around the topic of the recorded medium, then this book isn't just a field guide, it's a mandatory thought provoker!