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Unfit: Jewish Degeneration and Modernism

Autor Professor Marilyn Reizbaum
en Limba Engleză Paperback – 24 feb 2021
An obsession with "degeneration" was a central preoccupation of modernist culture at the start of the 20th century. Less attention has been paid to the fact that many of the key thinkers in "degeneration theory" - including Cesare Lombroso, Max Nordau, and Magnus Hirschfeld - were Jewish. Unfit: Jewish Degeneration and Modernism is the first in-depth study of the Jewish cultural roots of this strand of modernist thought and its legacies for modernist and contemporary culture. Marilyn Reizbaum explores how literary works from Bram Stoker's Dracula, through James Joyce's Ulysses to Pat Barker's Regeneration trilogy, the crime movies of Mervyn LeRoy, and the photography of Claude Cahun and Adi Nes manifest engagements with ideas of degeneration across the arts of the 20th century. This is a major new study that sheds new light on modernist thought, art and culture.
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Specificații

ISBN-13: 9781350215443
ISBN-10: 1350215449
Pagini: 240
Ilustrații: 20 bw illus
Dimensiuni: 156 x 234 mm
Greutate: 0.35 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom

Caracteristici

Charts the history of ideas of degeneration in modernist writing, thought and visual arts

Notă biografică

Marilyn Reizbaum is Harrison King McCann Professor of English at Bowdoin College, USA. She is the author of James Joyce's Judaic Other (1999).

Cuprins

AcknowledgementsList of IllustrationsIntroduction1) Avatars2) Bad Seeds: Mervyn LeRoy's American Crime 3) Fitness Movements: Literary Degeneration and Jewish Muscle in Joyce's4) Ulysses and Pat Barker's Regeneration Trilogy5) Sexology's PhotoshopCoda - Otto Weininger and the Jewish Joke NotesBibliography

Recenzii

Unfit is a comprehensive account of the power of degeneration theory under the sign of modernism. Questions of "purity," "fitness," and "artistic form," (through the prism of "race" and sexuality) are mapped onto modernism both in its "classic" configuration and its more contemporary, global incarnations. The book is attractively written and has a long historical reach from Joyce, Nordau and Lombroso to Pat Barker, Mervyn LeRoy, and Adi Nes. Unfit is highly informative and will help the reader rethink many topics ranging from film and photography to queer studies as well as the manifold intersections between degeneration, Jews, and modernism.