Universal Principles of Typography: Rockport Universal

Introduction

Alignment
Alternates
Faux or synthesized
Bold
Case
Characters & glyphs
Choosing type
CJK
Classification
Color
Combining
Consistency
Contrast
Control it all with axes
Customization
Dashes
Diacritics
Dissonance
Distinction / asymmetry
Drop caps
OpenType
Emphasis
Expression
Families
Fit
Font development
Font formats
Font vs. typeface
Foundries
Fractions
Variable fonts
Grade
Handwriting
Harmony
Hierarchy
Hinting
Humanism
Icons & symbols
Inclusivity
Installation
It depends
Italics
It’s all about the em square
Justification
Kerning
Legibility
Lettering
Licensing
Ligatures
Line height consistency issues
Line length
Loading
Lock-up
Line height
Masters & interpolation
Metrics
Monospace
Multiplex
Networks
Numerals
Obliques
Optical size
Optical trickery
Pairing type
Parametric axes
Personality
Proportion
Punctuation
Readability
Refinement
Relation
Responsiveness & viewport
Rhythm
Sans serif
Scale
Scripts
Serif
Signage
Size
Small caps
Spacing
Stress
Style
Stylistic sets
Subsetting
Superfamilies
Swashes
Systems
Technical evaluation
Tracking
Type
Type design
Units  
Usability
Web fonts
Weight
Widows & orphans
Width
Writing systems
X-height

Acknowledgements
About the Author
Index