Unmaking Mimesis: Essays on Feminism and Theatre
Autor Elin Diamonden Limba Engleză Paperback – 19 iun 1997
Through a series of provocative readings of theatre, theory and feminist performance she demonstrates the continuing force of feminism and mimesis in critical thinking today.
Unmaking Mimesis will interest theatre scholars and performance and cultural theorists, for all of whom issues of text, representation and embodiment are of compelling concern.
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Specificații
ISBN-13: 9780415012294
ISBN-10: 0415012295
Pagini: 256
Dimensiuni: 156 x 234 x 21 mm
Greutate: 0.41 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415012295
Pagini: 256
Dimensiuni: 156 x 234 x 21 mm
Greutate: 0.41 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateNotă biografică
Elin Diamond is Associate Professor of English at Rutgers University. Editor of Performance and Cultural Politics (Routledge) and author of Pinter's Comic Play, Elin Diamond has also published widely in a variety of performance journals.
Recenzii
'... a dense and rich book, which will greatly reward its readers' closest attention.' - Theatre Research Journal, 1998
Cuprins
Part One Unmaking Mimesis: 1. Introduction 2. Realism Hysteria: Disruption in the Theater of Knowledge i) Doleful Referents ii) Fallen Women: Medical Melodrama iii) Translation and the Hypnoid State iv) Realism's Hysteria v) Hysteria's Realism Part Two Gestic Feminist Criticism: 3. Brechtian Theory/Feminist Theory 4. Gestus, Signature, Body in the Theater of Aphra Behn i) The Apparatus ii) The Wife Thing iii) Disguise and Desire iv) Passionate Address/Gestric Undress v) Allegories of Authority 5. Churchill's Plays: The Gestus of Invisibility 6. Mimesis and Identification: Kennedy's Theater i) Funnyhouse of a Negro, The Owl Answers ii) Movie Star iii) Alexander Plays iv) People Who Led to My Plays 7. Performance and Temporality: Feminist Performance Art
Descriere
Through a series of provocative readings of theatre theory and feminist performance Diamond demonstrates the continuing force of feminism and mimesis in critical thinking today.