Untheories of Fiction: Literary Essays from Diderot to Markson
Autor Mark Axelrod-Sokoloven Limba Engleză Hardback – 21 ian 2021
This book takes a closer look at the diversity of fiction writing from Diderot to Markson and by so doing call into question the notion of a singular “theory of fiction,” especially in relation to the novel. Unlike Forster’s approach to “Aspects of the Novel,” which implied there is only one kind of novel to which there may be an aspect, this book deconstructs how one approach to studying something as protean as the novel cannot be accomplished. To that end, the text uses Diderot’s This Is Not A Story (1772) and David Markson’s This Is Not A Novel (2016) as a frame and imbedded within are essays on De Maistre’s Voyage Around My Room (1829), Machado de Assis’s Posthumous Memoirs Of Braz Cubas (1881), André Breton’s Nadja (1928) and Elizabeth Smart’s By Grand Central Station I Sat Down And Wept (1945).
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Specificații
ISBN-13: 9783030593452
ISBN-10: 3030593452
Pagini: 155
Ilustrații: VI, 155 p.
Dimensiuni: 148 x 210 mm
Greutate: 0.35 kg
Ediția:1st ed. 2021
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
ISBN-10: 3030593452
Pagini: 155
Ilustrații: VI, 155 p.
Dimensiuni: 148 x 210 mm
Greutate: 0.35 kg
Ediția:1st ed. 2021
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
Cuprins
1.Prologue i.- 2. Prologue ii.- 3. Prologue iii.- 4. Diderot, this is not a story.- 5. De maistre, voyage around my room.- 6. Machado de assis, posthumous memoirs of braz cubas.- 7. Breton, nadja.- 8. Smart, by grand central station i sat down and wept.- 9. Markson, this is not a novel.
Notă biografică
Mark Axelrod is a Professor of Comparative Literature in the Department of English at Chapman University, California, USA. Prior to teaching at Chapman, he taught at the University of East Anglia, UK and the University of Edinburgh, UK. He is a graduate of both Indiana University, USA, (BA, MA) and the University of Minnesota, USA, (PhD). For nineteen years he has been the Director of the John Fowles Center for Creative Writing for which he has received five National Endowment for the Arts grants.
Textul de pe ultima copertă
'As a fiction writer himself and a scholar who has thought about modernism and postmodernism from a theoretical perspective, Mark Axelrod is in a unique position to formulate a nuanced un-theory of the novel tackling this literary tradition since the inception of the genre in the 17th century up to our present, discombobulated days.'
- Pablo Baler, Professor of Latin American Literature, California State University, Los Angeles, USA
This book takes a closer look at the diversity of fiction writing from Diderot to Markson and by so doing call into question the notion of a singular “theory of fiction,” especially in relation to the novel. Unlike Forster’s approach to “Aspects of the Novel,” which implied there is only one kind of novel to which there may be an aspect, this book deconstructs how one approach to studying something as protean as the novel cannot be accomplished. To that end, the text uses Diderot’s This Is Not A Story (1772) and David Markson’s This Is Not A Novel (2016) as a frame and imbedded within are essays on De Maistre’s Voyage Around My Room (1829), Machado de Assis’s Posthumous Memoirs Of Braz Cubas (1881), André Breton’s Nadja (1928) and Elizabeth Smart’s By Grand Central Station I Sat Down And Wept (1945).
This book takes a closer look at the diversity of fiction writing from Diderot to Markson and by so doing call into question the notion of a singular “theory of fiction,” especially in relation to the novel. Unlike Forster’s approach to “Aspects of the Novel,” which implied there is only one kind of novel to which there may be an aspect, this book deconstructs how one approach to studying something as protean as the novel cannot be accomplished. To that end, the text uses Diderot’s This Is Not A Story (1772) and David Markson’s This Is Not A Novel (2016) as a frame and imbedded within are essays on De Maistre’s Voyage Around My Room (1829), Machado de Assis’s Posthumous Memoirs Of Braz Cubas (1881), André Breton’s Nadja (1928) and Elizabeth Smart’s By Grand Central Station I Sat Down And Wept (1945).
Caracteristici
Examines the unique differences between and among literary texts Approaches the primary texts in a unique way – many of which are rarely written about Turns a critical eye to the diversity of fiction writing