Usable Pasts: Social Practice and State Formation in American Art: Historical Materialism Book Series, cartea 239
Autor Larne Abse Gogartyen Limba Engleză Hardback – 23 mar 2022
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Specificații
ISBN-13: 9789004297142
ISBN-10: 9004297146
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Historical Materialism Book Series
ISBN-10: 9004297146
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Historical Materialism Book Series
Notă biografică
Larne Abse Gogarty, PhD 2015, University College London, is a Lecturer at the Slade School of Fine Art. She writes about modern and contemporary art, and has recently published essays in Third Text, and the Zeitschrift für Kunstgeschichte.
Recenzii
"From Dance of the Washerwomen and Living Newspapers in the 1930s, to artist Rick Lowe’s collaborative reimagining of a defunded Black neighborhood in modern-day Houston, Larne Abse Gogarty’s Usable Pasts is exactly what it claims to be: a superbly narrated history of the socio-economic conditions that make today’s surge of socially engaged art possible.
Working against cultural amnesia, Larne Abse Gogarty’s work is precisely that: a smart deep dive into the historical and structural conditions that make today’s surge of socially engaged art possible.
To paraphrase Lucy R. Lippard: we would be a lot further along if we had more studies like Usable Pasts."
– Professor Gregory Sholette, Queens College, Art Department, CUNY
"Neither a partisan nor an opponent of aesthetic 'usefulness', Larne Abse Gogarty rather brings the concept into long-overdue dialectical focus. By showing its interrelationships with the state, law, social reproduction, race and urban rebellion as well as its own immanent 'non-contemporaneity' (Bloch), her book makes a major contribution both to a revived Marxist art theory and a communist art history freed from the blinkers of comfortable nostalgia. Full of insightful close analysis of art practices as well as big-picture argument, this book is for any reader looking to confront the realities of political artmaking in a world of ever more contradictions and determinations – and to leave behind the stale verities of formalism versus engagement."– Dr. Marina Vishmidt, Goldsmiths, University of London, author of [Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital] (Brill, 2018)
Working against cultural amnesia, Larne Abse Gogarty’s work is precisely that: a smart deep dive into the historical and structural conditions that make today’s surge of socially engaged art possible.
To paraphrase Lucy R. Lippard: we would be a lot further along if we had more studies like Usable Pasts."
– Professor Gregory Sholette, Queens College, Art Department, CUNY
"Neither a partisan nor an opponent of aesthetic 'usefulness', Larne Abse Gogarty rather brings the concept into long-overdue dialectical focus. By showing its interrelationships with the state, law, social reproduction, race and urban rebellion as well as its own immanent 'non-contemporaneity' (Bloch), her book makes a major contribution both to a revived Marxist art theory and a communist art history freed from the blinkers of comfortable nostalgia. Full of insightful close analysis of art practices as well as big-picture argument, this book is for any reader looking to confront the realities of political artmaking in a world of ever more contradictions and determinations – and to leave behind the stale verities of formalism versus engagement."– Dr. Marina Vishmidt, Goldsmiths, University of London, author of [Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital] (Brill, 2018)
Cuprins
Acknowledgments
List of Figures
Introduction: Historicising Social Practice
1The New Deal Imaginary
2The Stakes of Social Practice
3Prevented Futures and Usable Pasts
1 Rehearsals for Real Life
1Performance and Critical Realism
2The Roof Is on Fire
3Code 33
4Injunction Granted
5Conclusion: Legislation and Rehearsals
2 Social Practice / Social Reproduction
1Introduction
2Cells in Organisms/Cogs in Machines
3Black and White at the Rockland Palace: The Body against the Belt
4Dance and Domestic Labour
5Expectations and Welfare Reform
6‘Each Week We started with the Body’
7Expectations at Capp Street Gallery
8Conclusion: Reproducing Culture, Reproducing Life
3 Housing, Homelessness and Documentary
1If You Lived Here …
2One-Third of a Nation
4 Race, Nation and Usable Pasts
1Documentary and Nationalism
2Blackness and the Limits of a Usable Past
3Project Row Houses
Coda: Utility and Social Practice
Bibliography
Index
List of Figures
Introduction: Historicising Social Practice
1The New Deal Imaginary
2The Stakes of Social Practice
3Prevented Futures and Usable Pasts
1 Rehearsals for Real Life
1Performance and Critical Realism
2The Roof Is on Fire
3Code 33
4Injunction Granted
5Conclusion: Legislation and Rehearsals
2 Social Practice / Social Reproduction
1Introduction
2Cells in Organisms/Cogs in Machines
3Black and White at the Rockland Palace: The Body against the Belt
4Dance and Domestic Labour
5Expectations and Welfare Reform
6‘Each Week We started with the Body’
7Expectations at Capp Street Gallery
8Conclusion: Reproducing Culture, Reproducing Life
3 Housing, Homelessness and Documentary
1If You Lived Here …
2One-Third of a Nation
4 Race, Nation and Usable Pasts
1Documentary and Nationalism
2Blackness and the Limits of a Usable Past
3Project Row Houses
Coda: Utility and Social Practice
Bibliography
Index