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Victimhood and Vulnerability in 21st Century Fiction: Routledge Interdisciplinary Perspectives on Literature

Editat de Jean-Michel Ganteau, Susana Onega
en Limba Engleză Paperback – 30 iun 2021
Editors Jean-Michel Ganteau and Susana Onega) have assembled a volume which addresses the relationship between trauma and ethics, and moves one step further to engage with vulnerability studies in their relation to literature and literary form. It consists of an introduction and of twelve articles written by specialists from various European countries and includes an interview with US novelist Jayne Anne Philips, conducted by her translator into French, Marc Amfreville, addressing her latest novel, Quiet Dell, through the victimhood-vulnerability prism. The corpus of primary sources on which the volume is based draws on various literary backgrounds in English, from Britain to India, through the USA. The editors draw on material from the ethics of alterity, trauma studies and the ethics of vulnerability in line with the work of moral philosophers like Emmanuel Levinas, as well as with a more recent and challenging tradition of continental thinkers, virtually unknown so far in the English-speaking world, represented by Guillaume Le Blanc, Nathalie Maillard, and Corinne Pelluchon, among others. Yet another related line of thought followed in the volume is that represented by feminist critics like Catriona McKenzie, Wendy Rogers and Susan Dodds.
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Specificații

ISBN-13: 9781032097022
ISBN-10: 1032097027
Pagini: 256
Dimensiuni: 152 x 229 x 14 mm
Greutate: 0.36 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Interdisciplinary Perspectives on Literature

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Cuprins



CONTENTS


Acknowledgements


Notes on Contributors


Introduction


Susana Onega and Jean-Michel Ganteau


PART I: Loss of Affect and Victimization


1 And Yet: Figuring Global Trauma in Ruth Ozeki’s A Tale for the Time Being


Cathérine Bernard


2 "The Willful Child": Resignifying Vulnerability through Affective Attachments in Emma Donoghue’s Room


Maite Escudero


3 The Construction of Vulnerability and Monstrosity in Slipstream:Tom McCarthy’s Remainder


Merve Sarikaya-Sen


PART II: Gender, Class, Race and the Ethics and Aesthetics of Vulnerability


4 Erasing Female Victimhood: The Debate over Trauma and Truth


Ángeles de la Concha


5 Vulnerable Ethics and Politics: Peter Ackroyd’s Rhetoric of Excess and Indirection in The Lambs of London


Susana Onega


6 Reviving Ghosts: The Reversibility of Victims and Vindicators in Sarah Waters’s The Little Stranger


Eileen Williams-Wanquet


7 A Dialectic of Trauma and Shame: The Politics of Dispossession in Gail Jones’s Black Mirror


María Pilar Royo-Grasa


PART III: The Politics of Visibility


8 The Humanism behind Jonathan Coe’s Narrative "patchwork[s] of … coincidences": Acting and Writing around Vulnerability


Laurent Mellet


9 The (In)visibility of Systemic Victimization: A Reading of Rupa Bajwa’s The Sari Shop


Angela Locatelli


10 Shifting Visibilities: The Politics of Trauma and Vulnerability in Neil Bartlett’s Skin Lane


Jean-Michel Ganteau


PART IV: History and the Archive


11 Hidden in Plain Sight: The Vulnerable Shapes of Lisa Appignanesi’s Holocaust Narratives


Maria Grazia Nicolosi


12 The Archive of a Missed Future: Vulnerability and the Poetics of Helplessness in Jayne Anne Philips’s Quiet Dell


Marc Amfreville


13 Sympathetic Haunting: An Interview with Jayne Anne Philips


Conducted by Marc Amfreville


Index

Notă biografică

 

Jean-Michel Ganteau is Professor of Contemporary British Literature at the University Paul Valéry Montpellier 3 (France)


Susana Onega is Professor of English Literature at the University of Zaragoza, (Spain)

Descriere

New Visibilities: Victimhood and Other Forms of Vulnerability in 21st-century Fiction (eds. Jean-Michel Ganteau and Susana Onega) addresses the relationship between trauma and ethics, and moves one step further to engage with vulnerability studies in their relation to literature and literary form. It consists of an introduction