Viewpoints

Claire Bracken is at English Department, Union College, Schenectady, New York and Emma Radley is at UCD School of English, Drama and Film, University College Dublin

Contents Introduction - Claire Bracken and Emma Radley Discourse Terra Infirma: The Territory of the Visible and the Writing of Ireland's Visual Culture - Justin Carville World-making in Thaddeus O'Sullivan's The Woman Who Married Clark Gable - Cheryl Herr The Phenomenological Narrative Shift between Lenny Abrahamson's Adam and Paul and Garage -Barry Monahan Fascinating States - Matthew Brown Finding a Voice: Irish-Language Film in the Twenty-First Century - Heather Macdougall Form Memory to Film: Reviving the Irish Diaspora in Stephen Frears' Liam - Emmie McFadden Violent Transpositions: The Disturbing 'Appearance' of the Irish Horror Film - Emma Radley Film into Novel: Kate O'Brien's Modernist Use of Film Techniques - Aintzane Legarreta Mentxaka The Feng Shui of Lough Derg: Therapeutic Landscapes and the Marketing of Spirituality in Contemporary Ireland - Anne Mulhall Identity 'Indebted for their existence to the inessential': On Three Irish Artists - Colin Graham Post-Feminism and the Celtic Tiger: Deirdre O'Kane's Television Roles - Claire Bracken New Identities in the Irish Horror Film: Isolation and Boy Eats Girl - Zelie Asava Becoming-Woman, Becoming-Mad: Transformations in the Interstice in the Cinema of Neil Jordan - Jenny O'Connor Mourning Sex: The Aesthetics of Queer Relationality in Contemporary Film - Fintan Walsh