Vincenzo Bellini on Stage and Screen, 1935-2020: New Approaches to Sound, Music, and Media
Editat de Professor Emilio Sala, Professor Graziella Seminara, Professor Emanuele Senicien Limba Engleză Hardback – 24 iul 2024
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Specificații
ISBN-13: 9781501391194
ISBN-10: 1501391194
Pagini: 256
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.5 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria New Approaches to Sound, Music, and Media
Locul publicării:New York, United States
ISBN-10: 1501391194
Pagini: 256
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.5 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria New Approaches to Sound, Music, and Media
Locul publicării:New York, United States
Caracteristici
Emphasizes the visual art that is created and presented in tandem with musical and operatic composition
Notă biografică
Emilio Sala is Associate Professor of musicology at the University of Milan, Italy. He is editor of the series Le Sfere and has published many books as author and editor, among them The Sounds of Paris in Verdi's "La traviata" (2013). Since 2020, together with Giorgio Biancorosso, he has been founding co-editor of the journal Sound Stage Screen. Graziella Seminara is Associate Professor of musicology at the University of Catania, Italy. She is director of the Centre for Bellini Studies at the University of Catania. She is author of monographs on Jean-Philippe Rameau (2001) and Alban Berg (2012), and of the book Lo sguardo obliquo. Il teatro musicale di Corghi e Saramago (2015).Emanuele Senici is Professor of musicology at the University of Rome La Sapienza, Italy. Among his publications are "La clemenza di Tito" di Mozart. I primi trent'anni (1791-1821) (1997), The Cambridge Companion to Rossini (2004), Landscape and Gender in Italian Opera: The Alpine Virgin from Bellini to Puccini (2005), Giacomo Puccini and His World (2016, co-edited with Arman Schwartz) and Music in the Present Tense: Rossini's Italian Operas in Their Time (2019). Between 2003 and 2008 he was co-editor of the Cambridge Opera Journal.
Cuprins
IntroductionEmilio Sala (University of Milan, Italy), Graziella Seminara (University of Catania, Italy) and Emanuele Senici (University of Rome La Sapienza, Italy)1. Staging La sonnambula in the Twenty-First CenturyEmanuele Senici (University of Rome La Sapienza, Italy)2. Opera and Trauma: Jossi Wieler and Sergio Morabito's I PuritaniBiagio Scuderi (University of Catania, Italy)3. Norma, Ibsen, and I: Experiencing Relevance and Exploring Reality in Bellini's OperaHedda Høgåsen-Hallesby (Norwegian National Opera, Norway)4. From the Apotheosis of Italian Genius to Melodrama: Carmine Gallone's Casta DivaGraziella Seminara (University of Catania, Italy)5. Carmine Gallone's Casta Diva and the Italian Composer Biopic, 1935-1954: Pastiche, History and AffectGiuliano Danieli (University of Rome La Sapienza, Italy)6. Emotion and Temporality: 'Casta Diva' in Film Soundtracks, 1980-2011Matteo Giuggioli (University of Roma Tre, Italy)7. Remediating Bellini through Sound and Video Art: Christian Marclay's Maria Callas in ContextGiacomo Albert (University of Turin, Italy)8. 'Casta Diva' Reimagined: Staging Death in Marina Abramovic's 7 Deaths of Maria CallasJelena Novak (Universidade Nova, Lisbon, Portugal) and Michal Grover-Friedlander (Tel Aviv University, Israel)9. Bellini's Digital LivenessClemens Risi (Friedrich-Alexander-Universität,Erlangen-Nuremberg, Germany)ContributorsIndex