Dangerous Mediations: Pop Music in a Philippine Prison Video: New Approaches to Sound, Music, and Media
Autor Professor Áine Mangaoangen Limba Engleză Paperback – 24 feb 2021
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Specificații
ISBN-13: 9781501378386
ISBN-10: 1501378384
Pagini: 256
Ilustrații: 30 bw illus
Dimensiuni: 152 x 229 mm
Greutate: 0.35 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria New Approaches to Sound, Music, and Media
Locul publicării:New York, United States
ISBN-10: 1501378384
Pagini: 256
Ilustrații: 30 bw illus
Dimensiuni: 152 x 229 mm
Greutate: 0.35 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria New Approaches to Sound, Music, and Media
Locul publicării:New York, United States
Caracteristici
Examines the changes in the music industry through an in-depth case study of an amateur, user-generated music video exemplified by the remediation of Michael Jackson's "Thriller"
Notă biografică
Áine Mangaoang is Postdoctoral Research Fellow in Popular Music at the Department of Musicology, University of Oslo, Norway.
Cuprins
List of FiguresList of TablesAcknowledgments IntroductionInterlude I: 'The Evil of the Thriller' Chapter 1: Seeing Sound: Locating Music and YouTube's Symbiosis Interlude II: 'You're Fighting for your Life inside a Killer, Thriller' Chapter 2: Performing Postcolonialism: Filipino History Through Four-Part Harmony Interlude III: Fade to Black Chapter 3: Penal Tourists: The Birth of CPDRC's Prison Pop Programme Interlude IV: 'Music, the Language of the Soul' Chapter 4: Beats Behind Bars: Music, Docile Bodies, and the Digital Panopticon Interlude V: Michael Jackson, the Undead, and the Posthumous Duet Chapter 5: Thrilling: Remediating Thriller Interlude VI: 'It's More Fun in the Philippines' Chapter 6: 'Together in Electric Dreams': Hybridity, Nostalgia, and Imagination in CPDRC Interlude VII: 'Thank you for the Music' Chapter 7: YouTube's Penal Spectators Coda: Dangerous Mediations, Prisoners of Love, and Other Considerations Appendix Abbreviations and Glossary Notes References Index
Recenzii
In this rich ethnographic case study, Áine Mangaoang brings together a welcome, provocative and highly original mix of music, YouTube and prison. She raises thoughtful questions about participation and incarceration, leisure and exploitation, the global and the local, that will resonate far beyond her case.
An enlightening, extensive, and engaging work! Áine Mangaoang's explanation of the phenomenal popularity of the Dancing Inmates' Thriller, a YouTube sensation, unearths layer after layer of paradoxes embedded in Philippine history, musicological studies, prison performances and digital cross-currents. The tensions that spring from navigating between rehabilitation and oppression, creativity and captivity, entertainment and punishment, submission and assertion, cultural identity and stereotyping, among others, make Dangerous Mediations a cautionary tale in adapting inmate performance, especially of the digital variety, as a vehicle for prison reform.
This book deepens our understanding of the mediation of music in the digital era. Through a wide-reaching analysis, Mangaoang reveals the subversive potential of music and how new media texts are bound up with power, punishment and postcolonialism.
An enlightening, extensive, and engaging work! Áine Mangaoang's explanation of the phenomenal popularity of the Dancing Inmates' Thriller, a YouTube sensation, unearths layer after layer of paradoxes embedded in Philippine history, musicological studies, prison performances and digital cross-currents. The tensions that spring from navigating between rehabilitation and oppression, creativity and captivity, entertainment and punishment, submission and assertion, cultural identity and stereotyping, among others, make Dangerous Mediations a cautionary tale in adapting inmate performance, especially of the digital variety, as a vehicle for prison reform.
This book deepens our understanding of the mediation of music in the digital era. Through a wide-reaching analysis, Mangaoang reveals the subversive potential of music and how new media texts are bound up with power, punishment and postcolonialism.