Violence and Power in Ancient Egypt: Image and Ideology before the New Kingdom: Routledge Studies in Egyptology
Autor Laurel Bestocken Limba Engleză Hardback – 30 oct 2017
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Specificații
ISBN-13: 9781138685055
ISBN-10: 1138685054
Pagini: 314
Ilustrații: 121 Halftones, black and white; 1 Tables, black and white
Dimensiuni: 156 x 234 x 22 mm
Greutate: 0.64 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Studies in Egyptology
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138685054
Pagini: 314
Ilustrații: 121 Halftones, black and white; 1 Tables, black and white
Dimensiuni: 156 x 234 x 22 mm
Greutate: 0.64 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Studies in Egyptology
Locul publicării:Oxford, United Kingdom
Cuprins
List of figures
Acknowledgements
Chronological chart
Chapter 1
Picturing violence
The Structure of this Book
Themes
Chapter 2
The Origins of Violent Imagery
The Earliest Images of Violence in Egypt
The Evidence from Early Egypt: Naqada I
The Evidence from Early Egypt: Naqada II
Order and Chaos
Chapter 3
The Violence Inherent in the System: Imagery and Royal Ideology in the Period of State Formation
Violence in Egyptian Art in the Period of State Formation
Violence in Early Dynastic Imagery
Continuity and Discontinuity
Chapter 4
To Live Forever: The Decoration of Royal Mortuary Complexes
The Old Kingdom
The Middle Kingdom
Interpreting Imagery of Violence from Royal Tombs
Chapter 5
Uniter of the Two Lands: Images of Violence in Divine Temples
Egyptian Temples as a Context for Imagery
Chapter 6
The Preservation of Order: Images in the Landscape
The Early Dynastic Period
The Old Kingdom
Reading Rock Carvings of Smiting
Chapter 7
Out and About: Images of Violence on Portable Objects
Images of Triumph on Portable Objects
Images of Captivity on Portable Objects
Movement and Meaning
Chapter 8
Who is Who? Private Monumental Images of War
The Old Kingdom
The First Intermediate Period
The Middle Kingdom
Inscriptions and Images in Private Tombs
Interpreting Private Images of War
Chapter 9
Violence, Power, Ideology
Bibliography
Index
Acknowledgements
Chronological chart
Chapter 1
Picturing violence
The Structure of this Book
Themes
Chapter 2
The Origins of Violent Imagery
The Earliest Images of Violence in Egypt
The Evidence from Early Egypt: Naqada I
The Evidence from Early Egypt: Naqada II
Order and Chaos
Chapter 3
The Violence Inherent in the System: Imagery and Royal Ideology in the Period of State Formation
Violence in Egyptian Art in the Period of State Formation
Violence in Early Dynastic Imagery
Continuity and Discontinuity
Chapter 4
To Live Forever: The Decoration of Royal Mortuary Complexes
The Old Kingdom
The Middle Kingdom
Interpreting Imagery of Violence from Royal Tombs
Chapter 5
Uniter of the Two Lands: Images of Violence in Divine Temples
Egyptian Temples as a Context for Imagery
Chapter 6
The Preservation of Order: Images in the Landscape
The Early Dynastic Period
The Old Kingdom
Reading Rock Carvings of Smiting
Chapter 7
Out and About: Images of Violence on Portable Objects
Images of Triumph on Portable Objects
Images of Captivity on Portable Objects
Movement and Meaning
Chapter 8
Who is Who? Private Monumental Images of War
The Old Kingdom
The First Intermediate Period
The Middle Kingdom
Inscriptions and Images in Private Tombs
Interpreting Private Images of War
Chapter 9
Violence, Power, Ideology
Bibliography
Index
Recenzii
This book is a significant contribution to the study of Egyptology and ancient art history, delivering the results of cutting-edge research in an area of central importance. Its essential focus is violence in Ancient Egypt which is a topic of increasing interest in current historical and cultural studies, and discusses a large corpus of images of great value, recognising the need for a more theoretical approach to the study of Egyptian artistic expression, and emphasising the critical importance of context in evaluating the function of representations. Throughout, the analysis shows a healthy awareness of the problem of evidence — or lack thereof. The book has a valuable cross-cultural dimension which makes it relevant not only to the Egyptological community, but also to art historians, ancient historians in general, and anthropologists. The result is a study which breaks much new ground and forces the reconsideration of entrenched views.
- Dr Alan Lloyd, Swansea University, UK
This book is a significant contribution to the study of Egyptology and ancient art history, delivering the results of cutting-edge research in an area of central importance. Its essential focus is violence in Ancient Egypt which is a topic of increasing interest in current historical and cultural studies, and discusses a large corpus of images of great value, recognising the need for a more theoretical approach to the study of Egyptian artistic expression, and emphasising the critical importance of context in evaluating the function of representations. Throughout, the analysis shows a healthy awareness of the problem of evidence — or lack thereof. The book has a valuable cross-cultural dimension which makes it relevant not only to the Egyptological community, but also to art historians, ancient historians in general, and anthropologists. The result is a study which breaks much new ground and forces the reconsideration of entrenched views.
- Dr Alan Lloyd, Swansea University, UK
“Violence and Power in Ancient Egypt. Image and Ideology before the New Kingdom” by Laurel Bestock is a new and exciting work on the representations of violence in ancient Egypt from the Early Dynastic Period until the end of the Middle Kingdom (c. 4000-1650 BC).
-Dr Uroš Matić, Westfälische Wilhelms-Universität Münster
- Dr Alan Lloyd, Swansea University, UK
This book is a significant contribution to the study of Egyptology and ancient art history, delivering the results of cutting-edge research in an area of central importance. Its essential focus is violence in Ancient Egypt which is a topic of increasing interest in current historical and cultural studies, and discusses a large corpus of images of great value, recognising the need for a more theoretical approach to the study of Egyptian artistic expression, and emphasising the critical importance of context in evaluating the function of representations. Throughout, the analysis shows a healthy awareness of the problem of evidence — or lack thereof. The book has a valuable cross-cultural dimension which makes it relevant not only to the Egyptological community, but also to art historians, ancient historians in general, and anthropologists. The result is a study which breaks much new ground and forces the reconsideration of entrenched views.
- Dr Alan Lloyd, Swansea University, UK
“Violence and Power in Ancient Egypt. Image and Ideology before the New Kingdom” by Laurel Bestock is a new and exciting work on the representations of violence in ancient Egypt from the Early Dynastic Period until the end of the Middle Kingdom (c. 4000-1650 BC).
-Dr Uroš Matić, Westfälische Wilhelms-Universität Münster
Descriere
This book examines the use of images of violence prior to the New Kingdom. By comparing violent images from a variety of other times and cultures the book asks that we consider how Egyptian imagery was related to Egyptian violence, and why people create pictures of violence and place them where they do, and how such images communicate what to whom.