Visible and Invisible Whiteness: American White Supremacy through the Cinematic Lens
Autor Alice Mikal Cravenen Limba Engleză Paperback – 8 ian 2019
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Specificații
ISBN-13: 9783030082857
ISBN-10: 3030082857
Pagini: 220
Ilustrații: XIV, 220 p. 17 illus., 9 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.29 kg
Ediția:Softcover reprint of the original 1st ed. 2018
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
ISBN-10: 3030082857
Pagini: 220
Ilustrații: XIV, 220 p. 17 illus., 9 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.29 kg
Ediția:Softcover reprint of the original 1st ed. 2018
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
Cuprins
1. Looking at American White Supremacy “Through a Glass Darkly”: Baldwin’s Critique of Birth of a Nation.- 2. “But Now I See”: James Agee on Birth of a Nation.- 3. Contending Visions: Imitation of Life According to John M. Stahl and Douglas Sirk.- 4. Forsaking Hollywood: Samuel Fuller’s “art house” White Dog.- 5. A Western by Any Other Name: Rainer Werner Fassbinder’s Whity.- 6. Cream Rises to the Top: Jean Renoir and William Faulkner’s The Southerner.- 7. Supremacy in Black Face: the Boris Vian-Michel Gast Controversy.- 8. Rachid Bouchareb’s Comparative Take on Supremacy.- 9. A Post-Racial Imaginary and the Structures of Cinema.
Notă biografică
Alice Mikal Craven is Associate Professor of Comparative Literature and Chair of Film Studies at The American University of Paris, France. In addition to publications on selected authors and filmmakers featured in this volume, she is co-editor of Richard Wright: New Readings in the 21st Century (Palgrave 2011) and Richard Wright in a Post-Racial Imaginary (2014), which received a 2015 Outstanding Academic Title award from Choice magazine. She has been invited to give public interventions in Paris on films such as Selma and Dear White People, and on the Black American expatriate community’s perspective on the Franco-Algerian war.
Caracteristici
Offers the first comparative analysis of the film criticism of James Agee and James Baldwin Relates films at the center of debates about the history of American white supremacy on screen with analyses of contemporary films' depiction of the issue and shifting cultural moments Compares depictions of American white supremacy as related through the work of American and European filmmakers