Visual Imagery and Human Rights Practice
Editat de Sandra Ristovska, Monroe Priceen Limba Engleză Paperback – 12 dec 2019
Visual
Imagery
and
Human
Rights
Practiceexamines
the
interplay
between
images
and
human
rights,
addressing
how,
when,
and
to
what
ends
visuals
are
becoming
a
more
central
means
through
which
human
rights
claims
receive
recognition
and
restitution.
The
collection
argues
that
accounting
for
how
images
work
on
their
own
terms
is
an
ever
more
important
epistemological
project
for
fostering
the
imaginative
scope
of
human
rights
and
its
purchase
on
reality.
Interdisciplinary
in
nature,
this
timely
volume
brings
together
voices
of
scholars
and
practitioners
from
around
the
world,
making
a
valuable
contribution
to
the
study
of
media
and
human
rights
while
tackling
the
growing
role
of
visuals
across
cultural,
social,
political
and
legal
structures.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 516.52 lei 6-8 săpt. | |
| Springer – 12 dec 2019 | 516.52 lei 6-8 săpt. | |
| Hardback (1) | 687.71 lei 6-8 săpt. | |
| Springer International Publishing – 29 noi 2018 | 687.71 lei 6-8 săpt. |
Preț: 516.52 lei
Preț vechi: 607.67 lei
-15% Nou
Puncte Express: 775
Preț estimativ în valută:
98.86€ • 102.76$ • 81.89£
98.86€ • 102.76$ • 81.89£
Carte tipărită la comandă
Livrare economică 04-18 februarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9783030404284
ISBN-10: 3030404285
Dimensiuni: 155 x 235 mm
Greutate: 0.41 kg
Ediția:1st ed. 2018
Editura: Springer
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
ISBN-10: 3030404285
Dimensiuni: 155 x 235 mm
Greutate: 0.41 kg
Ediția:1st ed. 2018
Editura: Springer
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
Cuprins
Images
and
Human
Rights.- Part
1:
Technologies.- 50
Years
of
Documentation:
A
Brief
History
of
the
Audio-Visual
Documentation
of
the Israeli
Occupation.- Drones,
Camera
Innovations
and
Conceptions
of
Human
Rights.- A
Convergence
of
Visuals:
Geospatial
and
Open
Source
Analysis
in
Human
Rights.- The
Rise
of
GEOINT:
Technology,
Intelligence
and
Human
Rights.- Technology’s
Continuum:
Body
Cameras,
Data
Collection
and
Constitutional
Searches.- Part
2:
Platforms.- Simon
Srebnik:
Narratives
of
a
Holocaust
Survivor.- Re-archiving
Mass
Atrocity
Records
by
Involving
Affected
Communities
in
Postwar
Bosnia
and
Herzegovina.- Communicating
Justice
in
Film:
The
Limitations
of
an
Unlimited
Field.- Photography
as
a
Platform
for
Transitional
Justice:
Peru’s
Case.- Sexual
Violence
in
the
Field
of
Vision.- Art
and
Human
Rights
in
the
Constitutional
Court
of
South
Africa.- Part
3:
Agents.- A
Change
of
Perspective:
Aerial
Photography
and
“the
Right
to
the
City”
in
a Palestinian
Refugee
Camp.- Contested
Visualities:
Courage
and
Fear
in
the
Portrayal
of
Rio
de
Janeiro’s
Favelas.- Ubiquitous
Witnessingin
Human
Rights
Activism.- Answering
the
Smartphones:
Citizen
Witness
Activism
and
Police
Public
Relations.- How
Newsrooms
Use
Eyewitness
Media.
Notă biografică
Sandra
Ristovska
is
Assistant
Professor
in
Media
Studies
at
the
College
of
Media,
Communication
and
Information
at
the
University
of
Colorado
Boulder,
USA.
Monroe Price is Professor at the Annenberg School for Communication at the University of Pennsylvania, USA, and was director of its Center for Global Communication Studies.
Monroe Price is Professor at the Annenberg School for Communication at the University of Pennsylvania, USA, and was director of its Center for Global Communication Studies.
Textul de pe ultima copertă
Visual
Imagery
and
Human
Rights
Practice examines
the
interplay
between
images
and
human
rights,
addressing
how,
when,
and
to
what
ends
visuals
are
becoming
a
more
central
means
through
which
human
rights
claims
receive
recognition
and
restitution.
The
collection
argues
that
accounting
for
how
images
work
on
their
own
terms
is
an
ever
more
important
epistemological
project
for
fostering
the
imaginative
scope
of
human
rights
and
its
purchase
on
reality.
Interdisciplinary
in
nature,
this
timely
volume
brings
together
voices
of
scholars
and
practitioners
from
around
the
world,
making
a
valuable
contribution
to
the
study
of
media
and
human
rights
while
tackling
the
growing
role
of
visuals
across
cultural,
social,
political
and
legal
structures.
Caracteristici
Includes
scholarship
on
visual
media
and
human
rights
alongside
reflections
by
human
rights
practitioners
Demonstrates
how
visual
images
shape
cultural,
political
and
legal
understandings
of
human
rights
Features
contributions
from
the
former image
analyst
at
Amnesty
International,
the
program
director
of
WITNESS,
the founder
of
the
Eyewitness
Media
Hub
and
First
Draft's
executive
director,
the
former head
of
the
Outreach
office
of
the
International
Criminal
Tribunal
for
the
former
Yugoslavia
(ICTY),
a
former
judge
at
the
Constitutional
Court
of
South
Africa
and an award-winning documentary filmmaker