Visualizing War: Emotions, Technologies, Communities: Routledge Advances in Art and Visual Studies
Editat de Anders Engberg-Pedersen, Kathrin Maureren Limba Engleză Hardback – 13 oct 2017
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Specificații
ISBN-13: 9781138693432
ISBN-10: 113869343X
Pagini: 230
Ilustrații: 34 Halftones, black and white; 34 Illustrations, black and white
Dimensiuni: 174 x 246 x 18 mm
Greutate: 0.7 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Art and Visual Studies
Locul publicării:Oxford, United Kingdom
ISBN-10: 113869343X
Pagini: 230
Ilustrații: 34 Halftones, black and white; 34 Illustrations, black and white
Dimensiuni: 174 x 246 x 18 mm
Greutate: 0.7 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Art and Visual Studies
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
Preface (W.J.T Mitchell)
Introduction (Anders Engberg-Pedersen and Kathrin Maurer)
Part I: Equivocal Emotions
1. Cropped Vision: Photography and Complicity in Women’s World War II Memoirs (Elisabeth Krimmer)
2. Horsemeat with Cucumber Salad: Laughing at the Images of War in Alexander Kluge’s Films (Andrea Schütte)
3. Max Beckmann’s Revenants and Ernst Jünger’s Drones: Vision and Coolness in the Interwar Period (Christine Kanz)
Part II: Emotional Technologies
4. Flat Emotions: Maps and Wargames as Emotional Technologies (Anders Engberg-Pedersen)
5. The Paradox of Total Immersion: Watching War in Nineteenth-Century Panoramas (Kathrin Maurer)
6. Post-Traumatic Stress Disorder in Drone Operators: Relying on Uncertainty in Omer Fast’s 5,000 Feet is the Best (2011) (Svea Braeunert)
7. Towards a Poor Cinema: The Performativity of Mobile Cameras in New Image Wars (Katarzyna Ruchel-Stockmans)
Part III: Building Emotional Communities
8. Visualizing Community: A Look at World War II Propaganda Films (Hermann Kappelhoff)
9. From Warrior Heroes to Vulnerable Boys: Debunking "Soldierly Masculinity" in Tim Hetherington’s Infidel Photos (Thomas Ærvold Bjerre)
10. Visualizing War in the Museum: Experiential Spaces, Emotions, and Memory Politics (Stephan Jaeger)
11. War in the Age of Anti-Social Media (Jan Mieszkowski)
Introduction (Anders Engberg-Pedersen and Kathrin Maurer)
Part I: Equivocal Emotions
1. Cropped Vision: Photography and Complicity in Women’s World War II Memoirs (Elisabeth Krimmer)
2. Horsemeat with Cucumber Salad: Laughing at the Images of War in Alexander Kluge’s Films (Andrea Schütte)
3. Max Beckmann’s Revenants and Ernst Jünger’s Drones: Vision and Coolness in the Interwar Period (Christine Kanz)
Part II: Emotional Technologies
4. Flat Emotions: Maps and Wargames as Emotional Technologies (Anders Engberg-Pedersen)
5. The Paradox of Total Immersion: Watching War in Nineteenth-Century Panoramas (Kathrin Maurer)
6. Post-Traumatic Stress Disorder in Drone Operators: Relying on Uncertainty in Omer Fast’s 5,000 Feet is the Best (2011) (Svea Braeunert)
7. Towards a Poor Cinema: The Performativity of Mobile Cameras in New Image Wars (Katarzyna Ruchel-Stockmans)
Part III: Building Emotional Communities
8. Visualizing Community: A Look at World War II Propaganda Films (Hermann Kappelhoff)
9. From Warrior Heroes to Vulnerable Boys: Debunking "Soldierly Masculinity" in Tim Hetherington’s Infidel Photos (Thomas Ærvold Bjerre)
10. Visualizing War in the Museum: Experiential Spaces, Emotions, and Memory Politics (Stephan Jaeger)
11. War in the Age of Anti-Social Media (Jan Mieszkowski)
Descriere
This book examines the emotional language of war images, how they entwine with various visual technologies, and how they can build emotional communities. The book engages in a cross-disciplinary dialogue between visual studies, literary studies, and media studies by discussing the links between images, emotions, technology, and community.