Voodoo Inverso: Wisconsin Poetry Series
Autor Mark Wagenaaren Limba Engleză Paperback – 25 mar 2012
In this debut collection, Voodoo Inverso, Mark Wagenaar composes a startling mystical imagism and sets it to music, using self-portraits to explore differing physical and spiritual landscapes. He uses a variety of personae—a victim of sex trafficking in Amsterdam, a fichera dancer, a portrait haunted by Dante, a carillonneur of starlight, an elephant in pink slippers remembering its beloved—to silhouette the intricacies and frailties of the body and the world. In a series of “gospels” and “histories”—such as the poems “History of Ecstasy” and “Moth Hour Gospel”—he shines a light on the possibilities of transcendence and transfiguration, weaving together memory and loss with desire and hope.
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Specificații
ISBN-13: 9780299288143
ISBN-10: 0299288145
Pagini: 80
Dimensiuni: 152 x 229 x 15 mm
Greutate: 0.18 kg
Ediția:1
Editura: University of Wisconsin Press
Colecția University of Wisconsin Press
Seria Wisconsin Poetry Series
ISBN-10: 0299288145
Pagini: 80
Dimensiuni: 152 x 229 x 15 mm
Greutate: 0.18 kg
Ediția:1
Editura: University of Wisconsin Press
Colecția University of Wisconsin Press
Seria Wisconsin Poetry Series
Recenzii
“There is an ardent music behind Mark Wagenaar’s poetry, which feels like the music not just of his writing, but in an unusual way, of his heard thought. I love the surprises of image and experience, of lost and found footing, in this book; its openness, intelligence, and the quiet shine on the back of all the poems.”—Jean Valentine, Felix Pollak Prize judge and National Book Award Winner
Notă biografică
Mark Wagenaar is the winner of numerous poetry awards, including the Yellowwood Poetry Prize, the Gary Gildner Award, the Matt Clark Poetry Prize, and the Greg Grummer Poetry Award. His poems have appeared in such journals as New England Review, Subtropics, Southern Review, American Literary Review, Crab Orchard Review, New Ohio Review, and Antioch Review. He lives in Denton, Texas.
Extras
When the body is laid down
in its longing—the mosaic of veins at our wrists & feet
patterned after dogwood blossoms,
the pulsatile sun beneath our ribs, the three-day darkness
between them—it’s wound with the same water that bears
the day’s ashes to a vanishing point west of west.
—excerpt from “The Other World”
© The Board of Regents of the University of Wisconsin System. All rights reserved.
in its longing—the mosaic of veins at our wrists & feet
patterned after dogwood blossoms,
the pulsatile sun beneath our ribs, the three-day darkness
between them—it’s wound with the same water that bears
the day’s ashes to a vanishing point west of west.
—excerpt from “The Other World”
© The Board of Regents of the University of Wisconsin System. All rights reserved.
Cuprins
Acknowledgments
Part I: Self-Portraits & Disappearances
Chiropractic (Bootblacks & Light Bulbs)
Spill
The History of Ecstasy
Errata
Voodoo Inverso (Self-Portrait)
Slow Migration Towards Ecstasy
Nocturne Past Dreaming
A Splinter of the Buddha's Tooth
Portraits of the Artist with Montale
A Parade of Ghosts
The Other World
Self-Portrait of the Artist as Io
Portrait of the Artist with Dante
Sun Goin Down Bad Luck Blues
Deer Hour Gospel
The Way of All Flesh
Dusk Hour Gospel (Each Poem is a Poem of Exile)
Part II: The Litter Bearers
Zen River Travel
Tulip Mania (The New Numerology)
The History of Your Life in a Hair Strand
Raindrop
Elegiac Stanzas
Gacela of the Wounds
Consolations of the New Day
Since You Asked
A Blessing
Preparing the Table
Gacela of the Bright Omen
A Life Buried in Water
Six Prayer Kites over Rock Island
The Butcher with Nothing But Bones
Curio
Revenant
Film 101: Final Exam
Survival Plans
The Disciples Question Their Yogi
Deep Image Hall of Fame
The Joke
Orpheus Amongst the Fishbones
Other Equations for Velocity
Lines for a Thirtieth Birthda
The Other Side of the Curtain
Elegy with Two Lemons
The Litter Bearers
Part III: Aubades & Nocturnes
Bat Hour Gospel
Unknowable Aubade
Early Hymn from Humpback Rock
Nail Bed Gospel
Baladère Notturno
Carnival Nocturne
Domestic Nocturne
Sixth Finger Gospel
Filament
Nocturne of a Thousand & One Notes
Nocturne: Exit Music for a Film
Thinking of Thomas à Kempis on a Fall Evening
Unknowable Nocturne
Reliquaries
Moth Hour Gospel
Part I: Self-Portraits & Disappearances
Chiropractic (Bootblacks & Light Bulbs)
Spill
The History of Ecstasy
Errata
Voodoo Inverso (Self-Portrait)
Slow Migration Towards Ecstasy
Nocturne Past Dreaming
A Splinter of the Buddha's Tooth
Portraits of the Artist with Montale
A Parade of Ghosts
The Other World
Self-Portrait of the Artist as Io
Portrait of the Artist with Dante
Sun Goin Down Bad Luck Blues
Deer Hour Gospel
The Way of All Flesh
Dusk Hour Gospel (Each Poem is a Poem of Exile)
Part II: The Litter Bearers
Zen River Travel
Tulip Mania (The New Numerology)
The History of Your Life in a Hair Strand
Raindrop
Elegiac Stanzas
Gacela of the Wounds
Consolations of the New Day
Since You Asked
A Blessing
Preparing the Table
Gacela of the Bright Omen
A Life Buried in Water
Six Prayer Kites over Rock Island
The Butcher with Nothing But Bones
Curio
Revenant
Film 101: Final Exam
Survival Plans
The Disciples Question Their Yogi
Deep Image Hall of Fame
The Joke
Orpheus Amongst the Fishbones
Other Equations for Velocity
Lines for a Thirtieth Birthda
The Other Side of the Curtain
Elegy with Two Lemons
The Litter Bearers
Part III: Aubades & Nocturnes
Bat Hour Gospel
Unknowable Aubade
Early Hymn from Humpback Rock
Nail Bed Gospel
Baladère Notturno
Carnival Nocturne
Domestic Nocturne
Sixth Finger Gospel
Filament
Nocturne of a Thousand & One Notes
Nocturne: Exit Music for a Film
Thinking of Thomas à Kempis on a Fall Evening
Unknowable Nocturne
Reliquaries
Moth Hour Gospel
Descriere
In this debut collection,
Voodoo Inverso, Mark Wagenaar composes a startling mystical imagism and sets it to music, using self-portraits to explore differing physical and spiritual landscapes. He uses a variety of personae—a victim of sex trafficking in Amsterdam, a fichera dancer, a portrait haunted by Dante, a carillonneur of starlight, an elephant in pink slippers remembering its beloved—to silhouette the intricacies and frailties of the body and the world. In a series of “gospels” and “histories”—such as the poems “History of Ecstasy” and “Moth Hour Gospel”—he shines a light on the possibilities of transcendence and transfiguration, weaving together memory and loss with desire and hope.
Voodoo Inverso, Mark Wagenaar composes a startling mystical imagism and sets it to music, using self-portraits to explore differing physical and spiritual landscapes. He uses a variety of personae—a victim of sex trafficking in Amsterdam, a fichera dancer, a portrait haunted by Dante, a carillonneur of starlight, an elephant in pink slippers remembering its beloved—to silhouette the intricacies and frailties of the body and the world. In a series of “gospels” and “histories”—such as the poems “History of Ecstasy” and “Moth Hour Gospel”—he shines a light on the possibilities of transcendence and transfiguration, weaving together memory and loss with desire and hope.