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Wagner's Musical Prose: Texts and Contexts: New Perspectives in Music History and Criticism, cartea 3

Autor Thomas S. Grey
en Limba Engleză Paperback – 24 ian 2007
This book is a study of the prose writings of Richard Wagner and their relevance to an understanding of his music and drama, as well as their relation to music criticism and aesthetics in the nineteenth century in general. As a by-product of Wagner's many-faceted career as musician, conductor, cultural critic and controversial ideologue, the writings are documents of undisputed interpretative value. This study focuses on Wagner's words on music, and interprets them in the light of the musical, aesthetic and critical contexts that generated them. Professor Grey considers Wagner's ambivalence concerning the idea of 'absolute music' and the capacity of music to project meaning or drama from within its own system of referents. Particularly relevant are Wagner's appropriation of a Beethoven legacy, the metaphors of musical 'gender' and 'biology' in Opera and Drama and the critical background to ideas of 'motive' and 'leitmotif' in theory and practice.
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Specificații

ISBN-13: 9780521033190
ISBN-10: 0521033195
Pagini: 420
Ilustrații: 65 music examples
Dimensiuni: 151 x 228 x 27 mm
Greutate: 0.61 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria New Perspectives in Music History and Criticism

Locul publicării:Cambridge, United Kingdom

Cuprins

Preface; 1. Wagner and the problematics of 'absolute music' in the nineteenth century; 2. Beethoven reception and the hermeneutic impulse: 'poetic ideas' and new forms; 3. Engendering music drama: Opera and Drama and its metaphors; 4. The 'poetic-musical period' and the 'evolution' of Wagnerian form; 5. Endless melodies; 6. Motive and motivations: leitmotif and 'symphonic' drama; Appendices; Bibliography; Index.

Recenzii

"...we are very fortunate to have this new study, which deals with Wagner's writings in an intelligent, authoritative, and probing manner. Thomas S. Grey seems to have read not only everything Wagner wrote but everything written about him from his own day to the present and about the principle aesthetic issues relevant to the Wagner `case.'...the scope and command of Grey's book is...magisterial." The Opera Quarterly
"This is a serious study that no Wagnerian scholar should ignore." Warren Darcy, Notes

Descriere

This book provides critical perspectives on Wagner's prose on musical subjects set in historical and intellectual context.