Walter Scott and Contemporary Theory
Autor Dr Evan Gottlieben Limba Engleză Paperback – 13 feb 2013
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Specificații
ISBN-13: 9781441120229
ISBN-10: 144112022X
Pagini: 200
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.34 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
ISBN-10: 144112022X
Pagini: 200
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.34 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
Caracteristici
Explores the major novels of Sir Walter Scott in the light of contemporary critical theory.
Notă biografică
Evan Gottlieb is Associate Professor of English at Oregon State University, USA.
Cuprins
Acknowledgments \ Introduction: Everything you always wanted to know about Scott but were afraid to ask Contemporary Theory (and vice versa) \ Chapter 1. Subjectivity, or Waverley and Ivanhoe with Zizek \ Chapter 2. Historicity, or The Antiquary and Redgauntlet with Koselleck and DeLanda \ Chapter 3. Hybridity and Performativity, or Rob Roy and The Talisman with Bhabha and Butler \ Chapter 4.Governmentality, or The Heart of Mid-Lothian and Quentin Durward with Foucault and Agamben \ Chapter 5. Hospitality and Community, or The Bride of Lammermoor and Chronicles of the Canongate with Derrida, Habermas, and a Multitude of Theorists \ Conclusion: Posthuman Scott? \ Bibliography \ Index
Recenzii
The book succeeds in providing accessible introductions to a range of theorists and fiction . . . Among its high points is an insightful analysis of three great but little known short stories: 'The Highland Mother', 'The Two Drovers' and 'The Surgeon's Daughter' . . . Informative and engagingly well-written.
In Walter Scott and Contemporary Theory Evan Gottlieb makes a very persuasive case for the suitability of Scott's novels as texts to be read, productively and flexibly, through various theoretical perspectives ... [He] provides a wide theoretical framework throughout.
At the outset, Gottlieb states that his aim is to provide readers with a 'greater understanding of the complexities and pleasures of both the Waverley Novels and contemporary theory'. Thanks to the persuasive arguments presented in this study, and the sheer energy and enthusiasm that Gottlieb brings to his subject matter, this goal must be easily realised. Not only does Gottlieb have something genuinely new to offer both Scott scholars and contemporary theorists, his palpable enthusiasm for his subject makes this study a joy to engage with.
Far from being overwhelmed by contemporary theory, Scott's novels are restored to something like their original strength and freshness in Evan Gottlieb's sparkling account. He treats them not just as theory's objects but as powerful theoretical works in their own right, addressing urgent questions of identity, history, power, and what it means to be human with a critical sophistication at least equal to the most adventurous current thinking.
Energetically aligning nineteenth-century novels and today's theorists, Gottlieb achieves unexpected readings of Scott and suggests intriguing applications for current theory.
In Walter Scott and Contemporary Theory Gottlieb adopts the possibilities offered by an array of theoretical approaches to explore the surprising contemporaneity and richness of Scott's fiction. In turn he also examines the potential of these theoretical positions by setting them against the issues inherent in historical fiction. The result is a study that both expands our understanding of Scott and asks us to reconsider what contemporary theory may offer us more generally as readers.
In Walter Scott and Contemporary Theory Evan Gottlieb makes a very persuasive case for the suitability of Scott's novels as texts to be read, productively and flexibly, through various theoretical perspectives ... [He] provides a wide theoretical framework throughout.
At the outset, Gottlieb states that his aim is to provide readers with a 'greater understanding of the complexities and pleasures of both the Waverley Novels and contemporary theory'. Thanks to the persuasive arguments presented in this study, and the sheer energy and enthusiasm that Gottlieb brings to his subject matter, this goal must be easily realised. Not only does Gottlieb have something genuinely new to offer both Scott scholars and contemporary theorists, his palpable enthusiasm for his subject makes this study a joy to engage with.
Far from being overwhelmed by contemporary theory, Scott's novels are restored to something like their original strength and freshness in Evan Gottlieb's sparkling account. He treats them not just as theory's objects but as powerful theoretical works in their own right, addressing urgent questions of identity, history, power, and what it means to be human with a critical sophistication at least equal to the most adventurous current thinking.
Energetically aligning nineteenth-century novels and today's theorists, Gottlieb achieves unexpected readings of Scott and suggests intriguing applications for current theory.
In Walter Scott and Contemporary Theory Gottlieb adopts the possibilities offered by an array of theoretical approaches to explore the surprising contemporaneity and richness of Scott's fiction. In turn he also examines the potential of these theoretical positions by setting them against the issues inherent in historical fiction. The result is a study that both expands our understanding of Scott and asks us to reconsider what contemporary theory may offer us more generally as readers.